|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
18 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
35 |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
25 |
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
5 |
|
76 |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
48 |
21 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
55 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
2 |
|
27 |
9 |
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
10 |
|
133 |
61 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
10 |
|
121 |
49 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
2 |
|
23 |
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
9 |
|
65 |
29 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3+5 |
|
5+8 |
Add to Reduce |
9+9+5 |
2+6+6 |
5+9 |
|
|
|
|
|
|
|
1+4 |
|
1+8 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+3 |
Reduce to Deduce |
2+3 |
1+4 |
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
9 |
|
|
|
|
5 |
6 |
|
|
|
1 |
|
|
|
|
6 |
|
8 |
+ |
= |
|
4+3 |
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
9 |
|
|
|
|
14 |
15 |
|
|
|
19 |
|
|
|
|
24 |
|
26 |
+ |
= |
|
1+1+5 |
= |
|
|
|
|
|
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
|
|
1 |
2 |
3 |
4 |
|
|
7 |
8 |
9 |
|
2 |
3 |
4 |
5 |
|
7 |
|
+ |
= |
|
8+3 |
= |
|
1+1 |
|
|
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
|
|
10 |
11 |
12 |
13 |
|
|
16 |
17 |
18 |
|
20 |
21 |
22 |
23 |
|
25 |
|
+ |
= |
|
2+3+6 |
= |
|
1+1 |
|
|
|
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 |
15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
+ |
= |
|
3+5+1 |
= |
|
|
|
|
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
+ |
= |
|
1+2+6 |
= |
|
|
|
|
|
26 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
|
|
|
|
|
|
|
1 |
|
|
|
|
|
|
|
|
1 |
|
|
|
|
|
|
|
+ |
= |
|
occurs |
x |
3 |
= |
|
|
|
|
|
2 |
|
|
|
|
|
|
|
|
2 |
|
|
|
|
|
|
|
|
2 |
|
|
|
|
|
|
+ |
= |
|
occurs |
x |
3 |
= |
|
|
|
|
|
|
3 |
|
|
|
|
|
|
|
|
3 |
|
|
|
|
|
|
|
|
3 |
|
|
|
|
|
+ |
= |
|
occurs |
x |
3 |
= |
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
4 |
|
|
|
|
+ |
= |
|
occurs |
x |
3 |
= |
|
1+2 |
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
|
5 |
|
|
|
+ |
= |
|
occurs |
x |
3 |
= |
|
1+5 |
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
6 |
|
|
+ |
= |
|
occurs |
x |
3 |
= |
|
1+8 |
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
7 |
|
|
|
|
|
|
|
|
7 |
|
+ |
= |
|
occurs |
x |
3 |
= |
|
2+1 |
|
|
|
|
|
|
|
|
|
8 |
|
|
|
|
|
|
|
|
8 |
|
|
|
|
|
|
|
|
8 |
+ |
= |
|
occurs |
x |
3 |
= |
|
2+4 |
|
|
|
|
|
|
|
|
|
|
9 |
|
|
|
|
|
|
|
|
9 |
- |
- |
- |
- |
- |
- |
- |
- |
+ |
= |
|
occurs |
x |
2 |
= |
|
1+8 |
|
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+5 |
|
|
2+6 |
|
1+2+6 |
|
5+4 |
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
|
|
|
|
|
|
|
|
|
|
26 |
|
|
|
|
|
|
|
|
I |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
8 |
|
|
|
I |
|
I |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
9 |
5 |
|
9 |
5 |
9 |
|
|
|
|
|
3+7 |
|
|
1+0 |
1 |
|
|
|
- |
9 |
14 |
|
9 |
14 |
9 |
|
|
|
|
|
5+5 |
|
|
1+0 |
1 |
|
|
|
|
|
|
|
I |
|
I |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
6 |
|
|
|
2 |
5 |
|
|
|
1+3 |
|
|
|
|
|
|
|
- |
|
|
6 |
|
|
|
20 |
5 |
|
|
|
3+1 |
|
|
|
4 |
|
|
|
|
|
|
|
I |
|
I |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
9 |
14 |
6 |
9 |
14 |
9 |
20 |
5 |
|
|
|
8+6 |
|
|
1+4 |
5 |
|
|
|
- |
9 |
5 |
6 |
9 |
5 |
9 |
2 |
5 |
|
|
|
5+0 |
|
|
|
|
|
|
|
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
|
|
|
|
|
|
|
|
|
|
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
|
|
|
occurs |
x |
|
= |
2 |
= |
|
3 |
|
|
|
|
|
|
|
|
|
|
|
3 |
|
3 |
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
4 |
|
4 |
|
|
|
|
|
|
|
|
5 |
|
|
5 |
|
|
|
|
|
|
occurs |
x |
|
= |
15 |
1+5 |
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
= |
|
7 |
|
|
|
|
|
|
|
|
|
|
|
7 |
|
7 |
|
|
|
|
|
8 |
|
|
|
|
|
|
|
|
|
|
|
8 |
|
8 |
|
|
|
|
|
|
|
9 |
|
|
9 |
|
9 |
|
|
|
|
|
occurs |
x |
|
= |
27 |
2+7 |
|
23 |
8 |
|
|
|
I |
|
I |
|
|
|
|
|
|
|
|
|
|
|
|
2+3 |
- |
|
|
|
|
|
|
|
|
|
|
2+2 |
|
|
- |
|
5+0 |
|
2+3 |
5 |
8 |
|
|
|
I |
|
I |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
9 |
5 |
6 |
9 |
5 |
9 |
2 |
5 |
|
|
|
|
|
|
|
- |
- |
|
5 |
8 |
|
|
|
I |
|
I |
|
|
|
|
|
|
|
|
|
|
|
|
- |
8 |
|
|
|
I |
|
I |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
9 |
5 |
|
9 |
5 |
9 |
|
|
|
|
|
3+7 |
|
|
1+0 |
1 |
|
|
|
- |
9 |
14 |
|
9 |
14 |
9 |
|
|
|
|
|
5+5 |
|
|
1+0 |
1 |
|
|
|
|
|
|
|
I |
|
I |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
6 |
|
|
|
2 |
5 |
|
|
|
1+3 |
|
|
|
|
|
|
|
- |
|
|
6 |
|
|
|
20 |
5 |
|
|
|
3+1 |
|
|
|
4 |
|
|
|
|
|
|
|
I |
|
I |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
9 |
14 |
6 |
9 |
14 |
9 |
20 |
5 |
|
|
|
8+6 |
|
|
1+4 |
5 |
|
|
|
- |
9 |
5 |
6 |
9 |
5 |
9 |
2 |
5 |
|
|
|
5+0 |
|
|
|
|
|
|
|
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
|
|
|
occurs |
x |
|
= |
2 |
= |
|
|
|
|
5 |
|
|
5 |
|
|
|
|
|
|
occurs |
x |
|
= |
15 |
1+5 |
|
|
|
|
|
6 |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
= |
|
|
|
9 |
|
|
9 |
|
9 |
|
|
|
|
|
occurs |
x |
|
= |
27 |
2+7 |
|
23 |
8 |
|
|
|
I |
|
I |
|
|
|
|
|
|
|
|
|
|
|
|
2+3 |
- |
|
|
|
|
|
|
|
|
|
|
2+2 |
|
|
- |
|
5+0 |
|
2+3 |
5 |
8 |
|
|
|
I |
|
I |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
9 |
5 |
6 |
9 |
5 |
9 |
2 |
5 |
|
|
|
|
|
|
|
- |
- |
|
5 |
8 |
|
|
|
I |
|
I |
|
|
|
|
|
|
|
|
|
|
|
|
I |
= |
9 |
- |
8 |
|
86 |
50 |
|
M |
= |
4 |
- |
4 |
MIND |
40 |
22 |
4 |
- |
- |
13 |
|
12 |
Add to Reduce |
|
|
|
- |
- |
1+3 |
- |
1+2 |
Reduce to Deduce |
1+2+6 |
7+2 |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
- |
12 |
|
|
|
I |
|
I |
|
|
|
|
I |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
9 |
5 |
|
9 |
5 |
9 |
|
|
|
|
9 |
5 |
|
|
|
|
5+1 |
|
|
= |
6 |
|
|
|
- |
9 |
14 |
|
9 |
14 |
9 |
|
|
|
|
9 |
14 |
|
|
|
|
7+8 |
|
|
1+5 |
6 |
|
|
|
|
|
|
|
I |
|
I |
|
|
|
|
I |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
6 |
|
|
|
2 |
5 |
|
4 |
|
|
4 |
|
|
|
2+1 |
|
|
|
|
|
|
|
- |
|
|
6 |
|
|
|
20 |
5 |
|
13 |
|
|
4 |
|
|
|
4+8 |
|
|
1+2 |
3 |
|
|
|
|
|
|
|
I |
|
I |
|
|
|
|
I |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
9 |
14 |
6 |
9 |
14 |
9 |
20 |
5 |
|
13 |
9 |
14 |
4 |
|
|
|
1+2+6 |
|
|
= |
9 |
|
|
|
- |
9 |
5 |
6 |
9 |
5 |
9 |
2 |
5 |
|
4 |
9 |
5 |
4 |
|
|
|
7+2 |
|
|
|
|
|
|
|
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
2 |
= |
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
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3 |
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3 |
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4 |
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4 |
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4 |
occurs |
x |
|
= |
8 |
= |
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5 |
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|
5 |
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|
5 |
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occurs |
x |
|
= |
20 |
2+0 |
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6 |
|
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occurs |
x |
|
= |
6 |
= |
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7 |
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7 |
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7 |
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8 |
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8 |
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8 |
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9 |
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9 |
|
9 |
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9 |
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occurs |
x |
|
= |
36 |
3+6 |
|
19 |
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I |
|
I |
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|
I |
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1+9 |
1+2 |
|
5 |
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|
5 |
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5 |
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|
2+6 |
|
|
1+2 |
|
7+2 |
|
2+7 |
10 |
|
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I |
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I |
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I |
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|
1+0 |
|
9 |
5 |
6 |
9 |
5 |
9 |
2 |
5 |
|
4 |
9 |
5 |
4 |
|
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- |
- |
|
1 |
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I |
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I |
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I |
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12 |
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I |
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I |
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I |
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- |
9 |
5 |
|
9 |
5 |
9 |
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|
9 |
5 |
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|
5+1 |
|
|
= |
6 |
|
|
- |
9 |
14 |
|
9 |
14 |
9 |
|
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|
9 |
14 |
|
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|
7+8 |
|
|
1+5 |
6 |
|
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I |
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I |
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I |
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- |
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|
6 |
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2 |
5 |
|
4 |
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|
4 |
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|
2+1 |
|
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- |
|
|
6 |
|
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|
20 |
5 |
|
13 |
|
|
4 |
|
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|
4+8 |
|
|
1+2 |
3 |
|
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I |
|
I |
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I |
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|
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|
|
|
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|
- |
9 |
14 |
6 |
9 |
14 |
9 |
20 |
5 |
|
13 |
9 |
14 |
4 |
|
|
|
1+2+6 |
|
|
= |
9 |
|
|
- |
9 |
5 |
6 |
9 |
5 |
9 |
2 |
5 |
|
4 |
9 |
5 |
4 |
|
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|
7+2 |
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|
12 |
|
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2 |
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occurs |
x |
|
= |
2 |
= |
|
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|
4 |
|
|
4 |
|
|
4 |
occurs |
x |
|
= |
8 |
= |
|
|
|
5 |
|
|
5 |
|
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|
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|
5 |
|
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occurs |
x |
|
= |
20 |
2+0 |
|
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|
6 |
|
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occurs |
x |
|
= |
6 |
= |
|
|
9 |
|
|
9 |
|
9 |
|
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|
9 |
|
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occurs |
x |
|
= |
36 |
3+6 |
|
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|
I |
|
I |
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|
I |
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1+2 |
|
5 |
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|
5 |
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5 |
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|
2+6 |
|
|
1+2 |
|
7+2 |
|
2+7 |
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I |
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I |
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I |
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9 |
5 |
6 |
9 |
5 |
9 |
2 |
5 |
|
4 |
9 |
5 |
4 |
|
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|
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|
- |
- |
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I |
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I |
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I |
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12 |
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I |
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I |
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I |
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|
- |
9 |
5 |
|
9 |
5 |
9 |
|
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|
9 |
5 |
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|
5+1 |
|
|
= |
6 |
|
|
- |
9 |
14 |
|
9 |
14 |
9 |
|
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|
9 |
14 |
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|
7+8 |
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|
1+5 |
6 |
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I |
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I |
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I |
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- |
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6 |
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2 |
5 |
4 |
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4 |
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2+1 |
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- |
|
|
6 |
|
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|
20 |
5 |
13 |
|
|
4 |
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|
4+8 |
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|
1+2 |
3 |
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I |
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I |
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I |
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|
- |
9 |
14 |
6 |
9 |
14 |
9 |
20 |
5 |
13 |
9 |
14 |
4 |
|
|
|
1+2+6 |
|
|
= |
9 |
|
|
- |
9 |
5 |
6 |
9 |
5 |
9 |
2 |
5 |
4 |
9 |
5 |
4 |
|
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|
7+2 |
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12 |
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2 |
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occurs |
x |
|
= |
2 |
= |
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|
4 |
|
|
4 |
|
|
4 |
occurs |
x |
|
= |
8 |
= |
|
|
|
5 |
|
|
5 |
|
|
|
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|
5 |
|
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occurs |
x |
|
= |
20 |
2+0 |
|
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|
6 |
|
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|
occurs |
x |
|
= |
6 |
= |
|
|
9 |
|
|
9 |
|
9 |
|
|
|
9 |
|
|
|
|
|
occurs |
x |
|
= |
36 |
3+6 |
|
|
|
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|
I |
|
I |
|
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|
I |
|
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|
1+2 |
|
5 |
|
|
5 |
|
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|
5 |
|
|
|
2+6 |
|
|
1+2 |
|
7+2 |
|
2+7 |
|
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|
I |
|
I |
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|
I |
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|
9 |
5 |
6 |
9 |
5 |
9 |
2 |
5 |
4 |
9 |
5 |
4 |
|
|
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|
- |
- |
|
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I |
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I |
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I |
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|
THE JESUS MYSTERIES
WAS THE ORIGINAL JESUS
A PAGAN GOD?
Timothy Freke & Peter Gandy 1999
Page 102
"The Logos was with God, and the Logos was God.'
|
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|
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
68 |
32 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
43 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
60 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
3 |
|
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
22 |
|
18 |
|
230 |
104 |
32 |
|
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|
|
|
|
|
3 |
|
19 |
19 |
|
|
|
|
|
|
|
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|
|
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
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|
|
|
|
|
5 |
|
68 |
32 |
|
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|
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|
|
|
3 |
|
43 |
16 |
|
|
|
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|
|
|
|
|
|
|
|
7 |
|
3 |
|
26 |
17 |
|
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|
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|
|
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|
18 |
|
17 |
|
189 |
99 |
27 |
|
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|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+0 |
|
3+5 |
Add to Reduce |
4+1+9 |
1+5+8 |
5+9 |
|
|
|
|
|
1+0 |
1+8 |
1+4 |
1+6 |
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+4 |
1+4 |
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
68 |
32 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
43 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
60 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
3 |
|
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
19 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
68 |
32 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
43 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
3 |
|
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+0 |
|
3+5 |
Add to Reduce |
4+1+9 |
1+5+8 |
5+9 |
|
|
|
|
|
1+0 |
1+8 |
1+4 |
1+6 |
|
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+4 |
1+4 |
1+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
5 |
|
68 |
32 |
|
|
|
|
|
|
|
|
|
|
|
3 |
|
43 |
16 |
|
|
|
|
|
|
|
|
|
|
|
4 |
|
60 |
24 |
|
|
|
|
|
|
|
|
|
7 |
|
3 |
|
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
3 |
|
19 |
19 |
|
|
|
|
|
|
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
5 |
|
68 |
32 |
|
|
|
|
|
|
|
|
|
|
|
3 |
|
43 |
16 |
|
|
|
|
|
|
|
|
|
7 |
|
3 |
|
26 |
17 |
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
4+0 |
|
3+5 |
Add to Reduce |
4+1+9 |
1+5+8 |
5+9 |
|
|
1+0 |
1+8 |
1+4 |
1+6 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+4 |
1+4 |
1+4 |
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
33 |
15 |
6 |
H |
= |
8 |
- |
4 |
HOLY |
60 |
24 |
6 |
W |
= |
5 |
- |
4 |
WORD |
60 |
24 |
6 |
|
|
15 |
|
11 |
|
|
|
18 |
- |
- |
1+5 |
- |
1+1 |
- |
1+5+3 |
6+3 |
1+8 |
- |
- |
|
- |
|
- |
|
|
|
O |
= |
6 |
- |
3 |
OUT |
56 |
11 |
2 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
Z |
= |
8 |
- |
4 |
ZERO |
64 |
28 |
1 |
C |
= |
3 |
- |
6 |
COMETH |
64 |
28 |
1 |
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
|
|
29 |
|
18 |
|
|
|
14 |
- |
- |
2+9 |
- |
1+8 |
- |
2+3+9 |
9+5 |
1+4 |
- |
- |
|
- |
|
- |
|
|
|
- |
- |
1+1 |
- |
- |
- |
1+4 |
1+4 |
- |
- |
- |
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
8 |
|
|
6 |
|
|
|
1+4 |
|
|
|
|
- |
- |
26 |
|
|
15 |
|
|
|
4+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
5 |
9 |
|
|
|
|
1+4 |
|
|
|
|
- |
- |
|
5 |
18 |
|
|
|
|
2+3 |
|
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
26 |
5 |
18 |
15 |
|
|
|
6+4 |
|
|
1+0 |
|
- |
- |
8 |
5 |
9 |
6 |
|
|
|
2+8 |
|
|
1+0 |
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
TWO |
2 |
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
- |
|
|
|
|
|
- |
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
- |
|
|
8 |
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
2+8 |
|
|
|
|
2+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
5 |
9 |
6 |
|
|
1+0 |
|
|
|
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
8 |
|
|
6 |
|
|
|
1+4 |
|
|
|
|
- |
26 |
|
|
15 |
|
|
|
4+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
5 |
9 |
|
|
|
|
1+4 |
|
|
|
|
- |
|
5 |
18 |
|
|
|
|
2+3 |
|
|
= |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
26 |
5 |
18 |
15 |
|
|
|
6+4 |
|
|
1+0 |
|
- |
8 |
5 |
9 |
6 |
|
|
|
2+8 |
|
|
1+0 |
|
4 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
- |
|
|
|
occurs |
x |
|
= |
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
|
8 |
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
2+8 |
|
|
|
|
2+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
5 |
9 |
6 |
|
|
1+0 |
|
|
|
|
1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
5 |
SWORD |
79 |
25 |
7 |
O |
= |
6 |
|
2 |
OF |
21 |
12 |
3 |
W |
= |
5 |
|
5 |
WORDS |
79 |
25 |
7 |
- |
- |
14 |
- |
15 |
First Total |
|
|
|
- |
- |
1+4 |
- |
1+5 |
Add to Reduce |
2+1+2 |
7+7 |
2+3 |
|
|
5 |
|
6 |
Second Total |
|
|
|
- |
- |
|
- |
|
Reduce to Deduce |
|
1+4 |
|
- |
- |
5 |
- |
6 |
Essence of Number |
|
|
|
- |
15 |
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
8 |
|
|
1 |
|
6 |
|
|
|
6 |
|
|
|
6 |
|
|
1 |
|
|
|
2+8 |
|
|
1+0 |
1 |
|
|
|
- |
|
8 |
|
|
19 |
|
15 |
|
|
|
15 |
|
|
|
15 |
|
|
19 |
|
|
|
9+1 |
|
|
1+0 |
1 |
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
2 |
|
5 |
|
|
5 |
|
9 |
4 |
|
|
6 |
|
5 |
|
9 |
4 |
|
|
|
|
4+9 |
|
|
1+3 |
4 |
|
|
|
- |
20 |
|
5 |
|
|
23 |
|
18 |
4 |
|
|
6 |
|
23 |
|
18 |
4 |
|
|
|
|
1+2+1 |
|
|
= |
4 |
|
|
|
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
20 |
8 |
5 |
|
19 |
23 |
15 |
18 |
4 |
|
15 |
6 |
|
23 |
15 |
18 |
4 |
19 |
|
|
|
2+1+2 |
|
|
= |
5 |
|
|
|
- |
2 |
8 |
5 |
|
1 |
5 |
6 |
9 |
4 |
|
6 |
6 |
|
5 |
6 |
9 |
4 |
1 |
|
|
|
7+7 |
|
|
1+4 |
|
|
|
|
15 |
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
|
|
occurs |
x |
|
= |
2 |
= |
|
|
|
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
2 |
= |
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
3 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
4 |
|
|
|
4 |
occurs |
x |
|
= |
8 |
= |
|
|
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
occurs |
x |
|
= |
15 |
1+5 |
|
|
|
|
|
|
|
|
|
6 |
|
|
|
6 |
6 |
|
|
6 |
|
|
|
|
|
|
occurs |
x |
|
= |
24 |
2+4 |
|
7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
|
7 |
|
|
|
|
|
|
|
|
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
= |
|
|
|
|
|
|
|
- |
- |
|
9 |
|
|
|
|
|
- |
|
9 |
|
- |
|
|
|
occurs |
x |
|
= |
18 |
1+8 |
|
10 |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
1+5 |
|
|
|
|
|
|
6 |
|
|
|
6 |
6 |
|
|
6 |
|
|
|
|
|
3+5 |
|
|
1+5 |
|
7+7 |
|
4+1 |
1 |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
8 |
5 |
|
1 |
5 |
6 |
9 |
4 |
|
6 |
6 |
|
5 |
6 |
9 |
4 |
1 |
|
|
|
|
|
|
|
1+4 |
|
|
1 |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
8 |
|
|
1 |
|
6 |
|
|
|
6 |
|
|
|
6 |
|
|
1 |
|
|
|
2+8 |
|
|
1+0 |
1 |
|
|
- |
|
8 |
|
|
19 |
|
15 |
|
|
|
15 |
|
|
|
15 |
|
|
19 |
|
|
|
9+1 |
|
|
1+0 |
1 |
|
|
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
- |
2 |
|
5 |
|
|
5 |
|
9 |
4 |
|
|
6 |
|
5 |
|
9 |
4 |
|
|
|
|
4+9 |
|
|
1+3 |
4 |
|
|
- |
20 |
|
5 |
|
|
23 |
|
18 |
4 |
|
|
6 |
|
23 |
|
18 |
4 |
|
|
|
|
1+2+1 |
|
|
= |
4 |
|
|
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
- |
20 |
8 |
5 |
|
19 |
23 |
15 |
18 |
4 |
|
15 |
6 |
|
23 |
15 |
18 |
4 |
19 |
|
|
|
2+1+2 |
|
|
= |
5 |
|
|
- |
2 |
8 |
5 |
|
1 |
5 |
6 |
9 |
4 |
|
6 |
6 |
|
5 |
6 |
9 |
4 |
1 |
|
|
|
7+7 |
|
|
1+4 |
|
|
|
15 |
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
|
|
occurs |
x |
|
= |
2 |
= |
|
|
2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
2 |
= |
|
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
4 |
|
|
|
4 |
occurs |
x |
|
= |
8 |
= |
|
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
5 |
|
|
|
|
|
|
|
occurs |
x |
|
= |
15 |
1+5 |
|
|
|
|
|
|
|
|
6 |
|
|
|
6 |
6 |
|
|
6 |
|
|
|
|
|
|
occurs |
x |
|
= |
24 |
2+4 |
|
|
|
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
8 |
= |
|
|
|
|
|
|
- |
- |
|
9 |
|
|
|
|
|
- |
|
9 |
|
- |
|
|
|
occurs |
x |
|
= |
18 |
1+8 |
|
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
1+5 |
|
|
|
|
|
|
6 |
|
|
|
6 |
6 |
|
|
6 |
|
|
|
|
|
3+5 |
|
|
1+5 |
|
7+7 |
|
4+1 |
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
8 |
5 |
|
1 |
5 |
6 |
9 |
4 |
|
6 |
6 |
|
5 |
6 |
9 |
4 |
1 |
|
|
|
|
|
|
|
1+4 |
|
|
|
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
R |
|
|
|
|
|
|
|
|
|
|
|
|
1 |
I |
9 |
9 |
9 |
2 |
AM |
14 |
5 |
5 |
3 |
THE |
33 |
15 |
6 |
8 |
OPPOSITE |
115 |
43 |
7 |
2 |
OF |
21 |
12 |
3 |
3 |
THE |
33 |
15 |
6 |
8 |
OPPOSITE |
115 |
43 |
7 |
1 |
I |
9 |
9 |
9 |
2 |
AM |
14 |
5 |
5 |
3 |
THE |
33 |
15 |
6 |
8 |
OPPOSITE |
115 |
43 |
7 |
2 |
OF |
21 |
12 |
3 |
8 |
OPPOSITE |
115 |
43 |
7 |
2 |
IS |
28 |
19 |
1 |
3 |
THE |
33 |
15 |
6 |
2 |
AM |
14 |
5 |
5 |
1 |
I |
9 |
9 |
9 |
6 |
ALWAYS |
81 |
18 |
9 |
2 |
AM |
14 |
5 |
5 |
64 |
First Total |
|
|
|
6+4 |
Add to Reduce |
7+9+3 |
3+2+5 |
1+0+9 |
10 |
Second Total |
|
10 |
10 |
1+0 |
Reduce to Deduce |
1+0 |
|
|
1 |
Essence of Number |
|
|
|
T |
= |
2 |
- |
3 |
THE |
31 |
15 |
6 |
R |
= |
9 |
- |
7 |
REALITY |
90 |
36 |
9 |
W |
= |
5 |
- |
6 |
WITHIN |
83 |
38 |
2 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
P |
= |
7 |
- |
7 |
PATTERN |
94 |
31 |
4 |
- |
- |
25 |
|
26 |
Add to Reduce |
|
|
|
- |
- |
2+5 |
- |
2+6 |
Reduce to Deduce |
3+3+3 |
1+3+5 |
2+7 |
- |
- |
7 |
- |
8 |
Essence of Number |
|
|
|
in the land of the blind, the one-eyed man is king - Wiktionary
en.wiktionary.org/.../in_the_land_of_the_blind,_the_one-eyed_man_is_...
English[edit]. Etymology[edit]. From Latin in regione caecorum rex est luscus, credited to Desiderius Erasmus's Adagia (1500).
Contents
[hide] 1 English 1.1 Etymology 1.2 Proverb 1.2.1 Translations
English[edit] Etymology[edit]
From Latin in regione caecorum rex est luscus, credited to Desiderius Erasmus's Adagia (1500).
Proverb[edit]
in the land of the blind, the one-eyed man is king - Wiktionary
en.wiktionary.org/.../in_the_land_of_the_blind,_the_one-eyed_man_is_...
English[edit]. Etymology[edit]. From Latin in regione caecorum rex est luscus, credited to Desiderius Erasmus's Adagia (1500).
in the land of the blind, the one-eyed man is king
1.Among others with a disadvantage or disability, the one with the mildest disadvantage or disability is regarded as the greatest.
2.Even someone without much talent or ability is considered special by those with no talent or ability at all.
Translations[edit]
In the land of the blind, the one-eyed man is king
Wikiquote-logo.png Desiderius Erasmus on Wikiquote
Perception - Wikiquote
en.wikiquote.org/wiki/Perception
In the kingdom of the blind, the one-eyed man is king. Desiderius Erasmus in Adages (1500). It is one of the commonest of mistakes to consider that the limit of ...
In the kingdom of the blind, the one-eyed man is king. Desiderius Erasmus in Adages (1500).
"In the Country of the Blind the One-Eyed Man is King".
I |
= |
9 |
- |
2 |
IN |
23 |
14 |
5 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
C |
= |
3 |
- |
7 |
COUNTRY |
116 |
35 |
8 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
B |
= |
2 |
- |
5 |
BLIND |
41 |
23 |
5 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
E |
= |
5 |
- |
4 |
EYED |
39 |
21 |
3 |
M |
= |
4 |
- |
3 |
MAN |
28 |
10 |
1 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
K |
= |
2 |
- |
4 |
KING |
41 |
23 |
5 |
- |
- |
51 |
|
41 |
First Total |
|
|
|
- |
- |
5+1 |
- |
4+1 |
Add to Reduce |
4+7+0 |
2+0+9 |
5+6 |
- |
- |
|
- |
|
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+1 |
1+1 |
1+1 |
- |
- |
|
- |
|
Essence of Number |
|
|
|
"In the Country of the Blind the One-Eyed Man is King".
The Country of the Blind
From Wikipedia, the free encyclopedia
For the Christopher Brookmyre novel, see The Country of the Blind. For the Skeleton Crew album, see The Country of Blinds.
Not to be confused with "The Country of the Blind", a poem by C. S. Lewis.
"The Country of the Blind "
First edition cover of The Country of the Blind and Other Stories (1911)
Author H. G. Wells Country United Kingdom Language English Genre(s) Short story Published in The Strand Magazine Media type Print (Magazine) Publication date April 1904
"The Country of the Blind" is a short story written by H. G. Wells. It was first published in the April 1904 issue of The Strand Magazine and included in a 1911 collection of Wells's short stories, The Country of the Blind and Other Stories. It is one of Wells's best known short stories and features prominently in literature dealing with blindness.
Wells later revised the story, and the expanded version was first published by an English private printer, Golden Cockerel Press in 1939.
While attempting to summit the unconquered crest of Parascotopetl, a fictitious mountain in Ecuador, a mountaineer named Nuñez (prn: noon-yes) slips and falls down the far side of the mountain. At the end of his descent, down a snow-slope in the mountain's shadow, he finds a valley, cut off from the rest of the world on all sides by steep precipices. Unbeknownst to Nuñez, he has discovered the fabled Country of the Blind. The valley had been a haven for settlers fleeing the tyranny of Spanish rulers until an earthquake reshaped the surrounding mountains and cut it off forever from future explorers. The isolated community prospered over the years despite a disease that struck them early on, rendering all newborns blind. As the blindness slowly spread over the generations, their remaining senses sharpened, and by the time the last sighted villager had died, the community had fully adapted to life without sight.
Nuñez descends into the valley and finds an unusual village with windowless houses and a network of paths, all bordered by curbs. Upon discovering that everyone is blind, Nuñez begins reciting to himself the refrain, "In the Country of the Blind the One-Eyed Man is King". He realises that he can teach and rule them, but the villagers have no concept of sight, and do not understand his attempts to explain this fifth sense to them. Frustrated, Nuñez becomes angry, but the villagers calm him, and he reluctantly submits to their way of life, because returning to the outside world is impossible.
Nuñez is assigned to work for a villager named Yacob. He becomes attracted to Yacob's youngest daughter, Medina-Saroté. Nuñez and Medina-Saroté soon fall in love with one another, and having won her confidence, Nuñez slowly starts trying to explain sight to her. Medina-Saroté, however, simply dismisses it as his imagination. When Nuñez asks for her hand in marriage, he is turned down by the village elders on account of his "unstable" obsession with "sight". The village doctor suggests that Nuñez's eyes be removed, claiming that they are diseased and are affecting his brain. Nuñez reluctantly consents to the operation because of his love for Medina-Saroté. However, at sunrise on the day of the operation, while all the villagers are asleep, Nuñez, the failed King of the Blind, sets off for the mountains (without provisions or equipment), hoping to find a passage to the outside world, and escape the valley.
In the original story, he escapes the valley but becomes trapped in the mountains, which ultimately leads to his death. In the revised and expanded 1939 version of the story, Nuñez sees from a distance that there is about to be a rock slide. He attempts to warn the villagers, but again they scoff at his "imagined" sight. He flees the valley during the slide, taking Medina-Saroté with him.
In the Kingdom of the Blind - Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/In_the_Kingdom_of_the_Blind
Robin Atkin Downes (Byron) Neil Hunt (Minister Vitari) Damian London (Centauri Regent) Victor Love (Telepath) Francis X. McCarthy (Minister Vole) Ian Ogilvy ... "In the Kingdom of the Blind" is an episode from the fifth season of the science fiction television series Babylon 5. The title alludes to a Latin proverb quoted by Erasmus: "In the kingdom of the blind, the one-eyed man is king".
"In the kingdom of the blind, the one-eyed man is king".
I |
= |
9 |
- |
2 |
IN |
23 |
14 |
5 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
K |
= |
2 |
- |
7 |
KINGDOM |
73 |
37 |
1 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
B |
= |
2 |
- |
5 |
BLIND |
41 |
23 |
5 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
E |
= |
5 |
- |
4 |
EYED |
39 |
21 |
3 |
M |
= |
4 |
- |
3 |
MAN |
28 |
10 |
1 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
K |
= |
2 |
- |
4 |
KING |
41 |
23 |
5 |
- |
- |
51 |
|
41 |
First Total |
|
|
|
- |
- |
5+1 |
- |
4+1 |
Add to Reduce |
4+2+7 |
2+1+1 |
4+9 |
- |
- |
|
- |
|
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+3 |
- |
1+3 |
- |
- |
|
- |
|
Essence of Number |
|
|
|
In the kingdom of the mind, the one-I'd man is king
I |
= |
9 |
- |
2 |
IN |
23 |
14 |
5 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
K |
= |
2 |
- |
7 |
KINGDOM |
73 |
37 |
1 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
M |
= |
4 |
- |
5 |
MIND |
40 |
22 |
4 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
I |
= |
9 |
- |
2 |
I'D |
13 |
13 |
4 |
M |
= |
4 |
- |
3 |
MAN |
28 |
10 |
1 |
I |
= |
9 |
- |
2 |
IS |
28 |
10 |
1 |
K |
= |
2 |
- |
4 |
KING |
41 |
23 |
5 |
- |
- |
57 |
|
39 |
First Total |
|
|
|
- |
- |
5+7 |
- |
3+9 |
Add to Reduce |
4+0+0 |
2+0+2 |
4+9 |
- |
- |
|
- |
|
Second Total |
|
|
|
- |
- |
1+2 |
- |
1+2 |
Reduce to Deduce |
- |
- |
1+3 |
- |
- |
|
- |
|
Essence of Number |
|
|
|
T |
= |
2 |
- |
5 |
THOSE |
67 |
22 |
4 |
P |
= |
7 |
- |
6 |
PATENT |
76 |
22 |
4 |
P |
= |
7 |
- |
7 |
PATIENT |
85 |
31 |
4 |
P |
= |
7 |
- |
8 |
PATENTED |
85 |
31 |
4 |
P |
= |
7 |
- |
7 |
PATTERN |
94 |
31 |
4 |
M |
= |
4 |
- |
6 |
MAKERS |
67 |
22 |
4 |
- |
- |
34 |
|
39 |
First Total |
|
|
|
- |
- |
3+4 |
- |
3+9 |
Add to Reduce |
4+7+4 |
1+5+9 |
2+4 |
- |
- |
|
- |
|
Second Total |
|
|
|
- |
- |
- |
- |
1+2 |
Reduce to Deduce |
1+5 |
1+5 |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
THOSE PATENT PATIENT PATENTED PATTERN MAKERS
E |
= |
5 |
- |
- |
ENNEAD |
- |
- |
- |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
2 |
A+D |
5 |
5 |
5 |
E |
= |
5 |
- |
6 |
ENNEAD |
|
|
|
- |
- |
- |
- |
- |
- |
4+3 |
2+5 |
2+5 |
E |
= |
5 |
- |
|
ENNEAD |
|
|
|
THE INDEPENDENT MAGAZINE
Wednesday 11 September 2013
THE MYSTERIES OF THE SNOWFLAKE
Pages 14/15/17/18
Mysteries of the snowflake: The curious world of ... - The Independent
www.independent.co.uk › News › Environment › Nature
5 Jan 2013 - Mysteries of the snowflake: The curious world of the ice-crystal experts ... The ice crystals, nestling in the ice clouds as unborn snowflakes, ...
Everybody loves snow, right? But not many of us are obsessed, like the scientists who study these icy enigmas. Nicola Gill enters the curious world of 'dendrites' and 'plates'
Mathematician and philosopher René Descartes is one of many fine minds through the ages to be fascinated by snowflakes and to ponder how such perfection could be created.
While every flake really is a law unto itself, other supposed snow ‘facts’ are not quite so true. The oft-quoted idea that it’s ‘too cold to snow’ is nonsense (it snows at the South Pole where it’s rarely above -40C), and even the apparent truism that snow is white turns out to be slushy logic. Ice crystals are clear, like glass, but when they form a large pile, light is reflected off the surface, bounces around and eventually scatters back out. Since all colours are scattered roughly equally, snow only appears to be white.
These, and many other reasons, are why world-renowned snowflake obsessive, California-based Ken Libbrecht, has made it his life’s work to study, photograph and ‘grow’ snowflakes. The author of several beautiful books showcasing his favourite flakes out of the 7,000 he has photographed, he lives and breathes dendrites, rosettes and plates. “There is something magical about snowflakes,” he says from his laboratory in Pasadena. “You don’t often see such complex symmetry in nature and that makes them extraordinary. The whole intriguing structure of a snow crystal simply arises quite literally out of thin air, as it tumbles through the clouds. The way the crystal grows depends on the temperature it is shaped in – a simple enough idea to grasp – but the underlying physics is fiendishly complicated and has remained a puzzle. I spend a lot, and I mean a lot, of time thinking about this.”
Inevitably, though, the most common question is, how can Libbrecht be so sure no two snowflakes are ever identical? He likes to tell people that physics has a Zen-like answer, “which is that it depends largely on what you mean by the question. The short answer is that if you consider there’s over a trillion ways you could arrange 15 different books on your bookshelf, then the number of ways of making a complex snowflake is so staggeringly large that, over the history of our planet, I’m confident no two identical flakes have ever fallen. The long answer is more involved – depending on what you mean by ‘alike’ and ‘snowflake’. There could be some extremely small, simple-shaped crystals that looked so alike under a microscope as to be indistinguishable – and if you sifted through enough Arctic snow, where these simple crystals are common, you could probably find a few twins.”
The short answer is that if you consider there’s over a trillion ways you could arrange 15 different books on your bookshelf,
SACRED NUMBER
THE SECRET QUALITIES OF QUANTITIES
Miranda Lundy 2009
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
Q |
= |
8 |
- |
9 |
QUALITIES |
113 |
41 |
5 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
Q |
= |
8 |
- |
10 |
QUANTITIES |
135 |
45 |
9 |
- |
- |
24 |
|
24 |
Add to Reduce |
|
|
|
- |
- |
2+4 |
- |
2+4 |
Reduce to Deduce |
3+0+2 |
1+1+3 |
2+3 |
- |
- |
|
- |
|
Essence of Number |
|
|
|
SACRED NUMBER
THE SECRET QUALITIES OF QUANTITIES
Miranda Lundy 2009
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
6 |
SECRET |
70 |
25 |
7 |
Q |
= |
8 |
- |
9 |
QUALITIES |
113 |
41 |
5 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
Q |
= |
8 |
- |
10 |
QUANTITIES |
135 |
45 |
9 |
- |
- |
25 |
|
30 |
First Total |
|
|
|
- |
- |
2+5 |
- |
3+0 |
Add to Reduce |
3+7+2 |
1+3+8 |
3+0 |
- |
- |
|
- |
|
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+2 |
1+2 |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
- |
8 |
ESOTERIC |
94 |
40 |
4 |
Q |
= |
8 |
- |
9 |
QUALITIES |
113 |
41 |
5 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
Q |
= |
8 |
- |
10 |
QUANTITIES |
135 |
45 |
9 |
- |
- |
25 |
|
32 |
First Total |
|
|
|
- |
- |
2+5 |
- |
3+2 |
Add to Reduce |
3+7+2 |
1+5+3 |
2+7 |
- |
- |
|
- |
|
Second Total |
|
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
1+8 |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
THE LIGHT IS RISING NOW RISING IS THE LIGHT
....
THE BULL OF MINOS
Leonard Cottrell 1953
Chapter VII
Page 90
THE QUEST CONTINUES
"OUT IN THE DARK BLUE SEA THERE LIES A LAND CALLED CRETE, A RICH AND LOVELY LAND,
WASHED BY THE WAVES ON EVERY SIDE, DENSELY PEOPLED AND BOASTING NINETY CITIES. . .
ONE OF THE NINETY TOWNS IS A GREAT CITY CALLED KNOSSOS, AND THERE FOR NINE YEARS,
KING MINOS RULED AND ENJOYED THE FRIENDSHIP OF ALMIGHTY ZEUS
SUN 9 9 SUN
EARTH 7 7 EARTH
MOON 3 3 MOON
JUPITER 99 99 JUPITER
The Prophet
Kahil Gibran 1923
Page 85
" Forget not that I shall come back to you
A
little while, and my longing shall gather dust and foam for another body
A
little while, a moment of rest upon the wind,
and another woman shall bear me"
THE ELEMENTS OF THE GODDESS
Caitlin Mathews 1997
WE ARE ENTERING THE TIME OF THE NINE-POINTED STAR
THE STAR OF MAKING REAL UPON EARTH THE GOLDEN DREAM OF PEACE THAT LIVES WITHIN US
BROOKE MEDICINE EAGLE
Page 72
"THE WAY OF THE DELIVERER IS THAT OF BONDAGE-BREAKER WHATEVER IS TRAPPED DENIED FREEDOM OF MOVEMENT THE DELIVERER PERSONALLY SETS FREE HER METHOD OF LIBERATION IS TO GO TO THE ROOTS OF THE BLOCKAGE AND LITERALLY BLAST IT FREE IN THIS THE DELIVERER BEARS A STRONG RESEMBLANCE TO THE SHAPER OF ALL WHO IS WILLING TO BE BROKEN INTO PIECES
THE SYMBOLIC IMAGE OF THIS TRANSFORMATION IS THAT OF THE BUTTERFLY EMERGING FROM THE CHRYSALIS FROM APPARENT DEATH AND DESTRUCTION ARISES A NEW FORM OF LIFE SO ARE WE BORNE OF THE DELIVERER RESHAPED AND TRANSFORMED TO LIVE MORE EFFECTIVELY WITHIN OUR CHOSEN FIELD OF OPERATION
Page 38
THIS ENNEAD OF ASPECTS IS ENDLESSLY ADAPTABLE FOR IT IS MADE UP OF NINE THE MOST AJUSTABLE AND YET ESSENTIALLY UNCHANGING NUMBER HOWEVER ONE CHOOSES TO ADD UP MULTIPLES OF NINE FOR EXAMPLE 54 72 108 THEY ALWAYS ADD UP TO NINE"
"HOWEVER ONE CHOOSES TO ADD UP MULTIPLES OF NINE FOR EXAMPLE
54 72 108
THEY ALWAYS ADD UP TO NINE"
TIMES LITERARY SUPPLEMENT
January 17, 2008
Chrysalis
Muriel Spark: introduced by Mick Imlah.
Muriel Spark (1918–2004) was one of the most admired and successful novelists in English in the second half of the twentieth century, author of The Prime of Miss Jean Brodie (1961), based on her own experience of school in Edinburgh, The Girls of Slender Means (1963) and others. But it was in poetry that she first made her name. From 1947–49 she was editor of the journal Poetry Review and her collection The Fanfarlo (1952) preceded her first published fiction. One of the poems in that book, "Chrysalis" was published in the TLS in June 1951
Chrysalis
We found it on a bunch of grapes and put it
In cotton wool, in a matchbox partly open,
In a room in London in wintertime, and in
A safe place, and then forgot it.
Early in the cold spring we said "See this!
Where on earth did the butterfly come from?"
It looked so unnatural whisking about the curtain:
Then we remembered the chrysalis.
[an error occurred while processing this directive]
There was the broken shell with what was once
The head askew; and what was once the worm
Was away out of the window, out of the warm,
Out of the scene of the small violence.
Not strange, that the pretty creature formalized
The virtue of its dark unconscious wait
For pincers of light to come and pick it out.
But it was a bad business, our being surprised.
Muriel Spark (1951)
DAILY MAIL
Thursday, April 6, 2006
Jonathan Cainer
GEMINI
May 22 -June 22
CATERPILLARS, when they form cocoons, do not succumb to any sudden doubts.They do not wonder why it is necessary to lock themselves away for a while. They do not consider that it might be unhealthy to retreat so far: Nor, when they finally emerge as blazing, beautiful butterflies, do they stop to-wonder whether life might have been better back in the-old days without wings. You are going through a profound transformation. Absolutely nothing is wrong with this."
DAILY MAIL
Friday, September 6. 2013
ANSWERS TO CORRESPONDENTS
Anyone for silkworms?
Page 66
"QUESTION Does anyone know if silkworms are edible?
ANYONE who has visited the Donghuamen night market or Wangfujing food street in Beijing will have seen all sorts of weird and wonderful foodstuffs:..."
"There are a wide variety of insects for sale, from deep-fried crickets (which taste slightly fishy) to golden centipede, and silkworms (Bombyx mori).
In fact they are the silkworm pupae, the intermediate stage between caterpillar and moth. During this stage, the caterpillar wraps itself inside the silk cocoon which is such a valuable commodity...."
MEDITATIONS FOR EVERY DAY
Father Andrew 1934
MONDAY IN EASTER WEEK
RISEN INDEED
'The Lord is risen indeed.'-S. LUKE xxiv. 34
Page 136
SAINT JOHN tells us in his Gospel that, when he and Peter went speeding down to the sepulchre of our Lord and entered in, he ' saw and believed.' What was it that brought conviction to John? He saw something in the way the grave-clothes were disposed which brought absolute conviction to him of our Lord's Resurrection. If he had just seen the graveclothes put on one side, surely he would have thought, as the women thought, that the body of our Lord had been taken from the tomb, but there was something about them which he says brought conviction to him.
The Jewish method of burial was to wind linen round and round the body, sprinkling myrrh and spices upon the linen as they did so. The myrrh was sticky and made the bands of linen adhere closely together, so that the body was like a mummy or the chrysalis of a caterpillar. What S. John saw, when he entered the tomb, was that the linen which had been wound round the body still kept its shape, but it was clear that the body was not inside it. The linen lay there like an empty shell or a chrysalis from which the moth has risen. The napkin which had been laid over the face of Jesus had fallen back and lay in its own place by itself. He saw that, and it brought conviction to him, and he went away with a wholly different frame of mind from that with which he came. As Bishop Westcott says so well in his commentary, the feeling of the apostles is better expressed by their words, The Master lives,' than by the words, He is risen.' They realized that our Lord had never been defeated by death.
MAN'S UNKNOWN JOURNEY
Staveley Bulford 1941
An introduction and contribution to the study of subjects essential to a new revelation - The Evolution of the Mind and Consciousness - in the journey of Mankind towards Perfection on and beyond the Earth
Page 190/191
"Words are inadequate to express the multitude of patterns of both Harmony and Discord portrayed by Thought, and the reader who may be unfamiliar with such a possibility as Thought power, must feel somewhat like a cocoon being told that some day he will be a butterfly himself and fly around from / flower to to flower that even at the present moment he, the cocoon, possesses all the essentials for that almost inconceivable manifestation."
Encyclopedia Of Ancient And Forbidden Knowledge
Zolar 1988 Edition
Page 39
KABBALISTIC WISDOM
There is no death; there is no destruction. All is but change and transformation-first the caterpillar, then the chrysalis, then the mighty mind, and at last a noble Soul."
THE DEATH OF FOREVER
A NEW FUTURE FOR HUMAN CONSCIOUSNESS
1991
Page 266
"We should create new rites of passage to celebrate the phases of the human life cycle, rituals for birth, for the transit into adolescence, and above all, for dying.
Of these, the need for a ritual of dying is the most urgent. I know of no greater testament to the failure of our civilisation than the fact that so many people die alone, abandoned like discards on society's junk heap. Dying must again be united with a sense of the sacred, for it is here, if anywhere, that the psyche outgrows its human limitation. The most important message of this book is that consciousness cannot be extinguished by death, for consciousness transcends time. We should learn to approach death with gratitude, seeing it for what it is, the final elimination of ego, the end of the fallacies of time and self.
In the end it can all be said so simply.
Time and self are outgrown husks which consciousness will one day discard, just as a butterfly abandons its chrysalis to fly towards the sun.
IN THE END IT CAN ALL BE SAID SO SIMPLY TIME AND SELF
ARE OUTGROWN HUSKS WHICH CONSCIOUSNESS WILL ONE DAY DISCARD
JUST AS A BUTTERFLY ABANDONS ITS CHRYSALIS TO FLY TOWARDS THE SUN
THE LION PATH
YOU CAN TAKE IT WITH YOU
A Manual of the Short Path to Regeneration for our times
by
Musaios
Page 33
It is time to examine the regenerative process - the way out of our limited state of body and awareness - a state that was thought of in this doctrine as "larval" to that which would ensue, just as the effectively one - dimensional or linear caterpillar has the hidden ability to spin a self - made cocoon - tomb and then turn into a pupal case, with future wings already outlined on it - a stage that can again metamorphose into the winged imago or mature form that emerges from the shell of the tomb - egg of the cocoon and flies aloft into the sky.
THE LION PATH
YOU CAN TAKE IT WITH YOU
A Manual of the Short Path to Regeneration for our times
by
Musaios
Page 137
"A winged and wondrous child
will whirl a whole world into being . . .
That child alone shall fly the abyss
and reach the Second Sun. . . ."
|
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|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
62 |
35 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
8 |
|
129 |
39 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
5 |
|
36 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
|
23 |
|
247 |
112 |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
56 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
70 |
34 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
5 |
|
63 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
5 |
|
72 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
58 |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
5 |
|
37 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
32 |
|
29 |
|
357 |
159 |
33 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
36 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
47 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
|
52 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
3 |
|
43 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
5 |
|
66 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
16 |
|
30 |
|
326 |
119 |
38 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
5 |
|
35 |
26 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
60 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
3 |
|
54 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
|
20 |
|
201 |
84 |
30 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7+7 |
|
1+0+2 |
Add to Reduce |
1+1+3+1 |
4+7+4 |
1+2+3 |
|
|
|
|
|
|
1+8 |
2+1 |
1+6 |
4+5 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
|
|
Reduce to Deduce |
|
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
6 |
|
62 |
35 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
4 |
8 |
|
129 |
39 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
5 |
5 |
|
36 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
4 |
|
56 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
5 |
|
70 |
34 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
9 |
5 |
|
63 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
10 |
5 |
|
72 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
4 |
|
58 |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
12 |
5 |
|
37 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
4 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
5 |
|
36 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
5 |
|
47 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
16 |
5 |
|
52 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
17 |
3 |
|
43 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
19 |
5 |
|
66 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
21 |
5 |
|
35 |
26 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
22 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
6 |
|
60 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
24 |
3 |
|
54 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7+7 |
|
1+0+2 |
Add to Reduce |
1+1+3+1 |
4+7+4 |
1+2+3 |
|
|
|
|
|
|
1+8 |
2+1 |
1+6 |
4+5 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
|
|
Reduce to Deduce |
|
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
1 |
|
1 |
1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
12 |
5 |
|
37 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
20 |
3 |
|
19 |
10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
4 |
|
56 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
15 |
5 |
|
47 |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
4 |
8 |
|
129 |
39 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
19 |
5 |
|
66 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
11 |
4 |
|
58 |
22 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
13 |
4 |
|
49 |
13 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
18 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
22 |
3 |
|
33 |
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
23 |
6 |
|
60 |
24 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7 |
5 |
|
70 |
34 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
16 |
5 |
|
52 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
17 |
3 |
|
43 |
16 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
6 |
|
62 |
35 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
21 |
5 |
|
35 |
26 |
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
5 |
5 |
|
36 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
9 |
5 |
|
63 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
10 |
5 |
|
72 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
14 |
5 |
|
36 |
27 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
24 |
3 |
|
54 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
7+7 |
|
1+0+2 |
Add to Reduce |
1+1+3+1 |
4+7+4 |
1+2+3 |
|
|
|
|
|
|
1+8 |
2+1 |
1+6 |
4+5 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
|
|
Reduce to Deduce |
|
1+5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
THE AGELESS WAY OF THE GODDESS
Charles Muses
Divine Pregnancy and Higher Birth in Ancient Egypt and China
Though both are related to it, the point of shamanism is really not ecstasy, "archaic" or otherwise, or even "healing," but rather the development of communication with a community of higher than human beings and a modus operandi for attaining an eventual transmutation to more exalted states and powers. Those whom that goal does not attract, authentic shamanism does not address.
The point is theurgy, literally a divine working (theo+urg). More specifically, the oldest preserved theurgic teachings of the Sacred Way Home (see the chart, fig. 1) — those of ancient Egypt and China — tell of a goddess-inspired, transcendent "pregnancy." One that takes place within our still mysterious brain and body (of either sex) (1) leading to the attainment, even during lifetime on earth, of a higher body concealed until the physical death of the former one and far more endowed with energy and capability than the bio-molecular body in which it forms, as within a womb or a chrysalid or pupal shell, symbolized in ancient Egypt as the enswathed mummy in its case.
It is an embryology of metamorphosis that is here involved, stemming from the premise that we are larval forms — a premise very startling to a largely agnostic and indeed rather ignorant culture, knowledgeable really only in the technology of external manipulations upon matter. We know next to nothing of how living bodies organize themselves from within and have their ultimate controls in regions of more than what ordinary quinto-sensory awareness is capable of grasping.
Some Bad News
The current global technological civilization is increasingly showing itself to be inimical to all life-forms except perhaps the most hardy of sewer and wharf rats, other assorted parasites, and those few bacterial prodigies that can survive even in highly radioactive waste. Yet aside from its bio-phobic or life-destroying aspect, the prevalent world society is the first widespread culture in history to be committed to conditioning its members to accepting — without any rational basis, much less evidence — that there is (1) no scheme of things other than the molecular one in which we live on earth, and (2) no higher than human intelligence and ability, and hence (3) that individualized personality and living form cease with the physical dissolution of the molecular body. These unproven and, in fact, quite scientifically dubious dogmas are then made the basis of our educational system, leading at once to both a jungle-law society and, in other aspects, to an essentially hopeless and comfortless collectivism which ultimately reduces all individual suffering and learning to meaninglessness.
Since only love in some form gives meaning to life, the power of love is also finally denied in the shabby and shoddy creed of hopelessness being foisted upon us by patterns of paranoid power-seeking that, by and large, tend to seize control of world society in the dark ages of the latter twentieth century. It is no accident that, contrasted with a 2½ percent rise of general suicide in the United States over the last decade, there was a 44 percent rise in the suicide rate for the age group of fourteen to nineteen-year-olds, about eighteen times as many: our children are being systematically deprived of hope by a system fast losing the perennial ideals.
The voices of the comparatively few leaders of integrity left are voices mostly crying in a growing wilderness of poisoned ecology and psychopathological social systems motivated by tyranny or short-term greed and the increasing fear, panic, and aggression that inevitably accompany such a degraded set of values. To cite one of these voices: "There is a very real possibility that man —through ignorance or indifference or both — is irreversibly altering the ability of our atmosphere to support life." These are not the words of some minor prophet of doom, but the sober, considered conclusions of the chairman of the U.S. congressional committee on the environment, reporting in June 1986 and cited in Newsweek magazine.
The Good News
But most of us now no longer need to be convinced of these trends. We are aware of them only too acutely. We don't need to hear any more bad news. We do want to hear about hope and where we can look for it. This chapter is concerned with that hope. As Joseph Conrad once wrote, the last hope of mankind will contain some almost unimaginably good news, though based on ideas well-nigh unutterable in terms of ordinary ways of thinking. (2)
That hope stretches far back in recorded history and concerns what may be called higher transformation. In brief, the present life-forms, and notably human beings, must be regarded as larval forms whose destiny it is to transform themselves into higher ones capable of living under very different conditions and of exercising powers which would seem quite extraordinary to us in our present state. That is the message of the "Crucible" (fig. 1).(omitted)
FIG. 1. (omitted) The Crucible of World Religions and Their Convergence on the Way Home: Distillation of the Essential Central Sacredness. This mandalic-maze-circuit diagram is well-nigh self-explanatory — designed to show in one view the interrelations of the search for the Divine through the religions of human history, both in their institutionalized and more esoteric forms.
Depending on one's inherited cultural background and individual tendencies — and the two might not be in phase — one follows a path in the crucible. For some, whole lifetimes could be spent just on the fringes of the wheel. Others reach one of the spokes. Some again may even gain access to the first central area in which the particular cultural origin of a religion becomes irrelevant in that numinous nimbus. Beyond the door within that nimbus is the meaning of the whole crucible and its gestational process: the essential distillation at its core, where one begins to undertake the far journey home — the Lion Path in ancient Egypt.
The preparation and technique for that path, which transforms one as one treads it, exist in fragmentary form in the old human records. But those instructions, that operational method, are always available in great clarity to those who again reach that place of accessibility in awareness. Then one can start the heroic quest described in these lines from an obscure poet, Kyril Demys, three decades ago (who also wrote "Song of the Far Journey").
The doors are many
but the key is one . . .
that space has room
for a winged and wondrous child
and whirled a little world to being. . . .
That child alone
shall fly the abyss
and reach the Second Sun.
Anyone who has ever raised caterpillars of, say, the lovely giant moths like lo, Cecropia, Luna, or Prometheus knows that the caterpillar does not at all fear its ineluctable metamorphosis, when the larva sheds its skin and becomes the quasi-entombed, cocooned pupal form deprived of almost all exterior mobility except to twist and turn its abdomen. So when author Richard Bach wrote that the caterpillar looks on its pupation as "death," he wrote too superficially, without having well observed a forming or hatching chrysalis.
The truth is far more interesting. The caterpillar shows by all its behavior, so intense at the cocoon-spinning or chrysalis-forming time, that its entire being is focused and intent upon this change — life itself for the caterpillar and not death at all. From a ravenous and mobile feeder, it now becomes very quiet, fasting and renouncing all food. Then it commences a new and excited round of activity in weaving its cocoon around itself, ending with a hard-varnished core-shell in which it leaves an almost imperceptible air pore. Here it finally discards its caterpillar skin, and the pupal case with wings, tongue, and antennae outlined on it appears.
Although there is no outer activity, there is now intense activity within the pupa, called a chrysalis in the case of butterflies because of its often golden (Greek chrysos, "gold") appearance. Inside the pupal form, all the caterpillar's internal organs now become transformed. Reproductive organs and new digestive organs are formed, as well as new organs of locomotion, notably two pairs of gorgeously colored wings. Note well that there is an increase and not a decrease of individuation in this process, and each winged adult is a specifically individual creature of distinct color, pattern, and sex. The imago, as it is called, is more, not less, individually organically differentiated than the caterpillar. So this metamorphic transformation, an actually higher embryology, leads to both greater powers (for example, of sexuality and flight) and to greater individualization.
The Secret Within the Brain
The caterpillar is so intensely active about ensuring its own disappearance for the very good reason that it innately realizes it is preparing a greater and richer life for itself, made possible through a group of neuro-secretory glands connected with the caterpillar's central ganglion or tiny brain. This new life is an individual outcome for each caterpillar — the very opposite of merging into some engulfing collectivity. Tomb-transcending is nothing if not individual, and as I once wrote of tathagatahood in Mahayana Buddhism: "Salvation, though it have universal results, has by necessity particular achievement. (3)
Similarly, the ancient theurgic doctrine taught that in the dim and mysterious recesses of each human brain are lodged the control centers for transducing a higher metamorphic process in that individual, of which the butterfly, wonderful as it is, is but a crude and imperfect analogue. Those who do not come to activate this process during their physical lifetimes have no choice but to enter the postmortem or inter-incarnational state as the "caterpillars" they were here. That state is called the Duat in ancient Egyptian, corresponding to the Bardo of Tibetan shamanistic Buddhism and the intermediate states of ancient Chinese shamanism that came to be Taoism. For those who did not begin the metamorphic process before dissolution of their physical bodies, this intermediate state would be dreamlike: lovely or nightmarish depending on the person's development and stature as a human being.
But if the transformational process were initiated before molecular dissolution, then the intermediate state could continue the process and the "hatching" might take place in the Duat or Bardo state, thus avoiding the necessity for further entries of the individual into relatively crude molecular bodies such as we on earth have, wonderful as they are for this stage. The acquisition of a higher body by an individual meant also, by that very token, the possibility of communicating with beings already so endowed. (4) The entrance into this higher community and fellowship is one of the principal causes for celebration in the Ancient Egyptian liturgy of the sacred transformative process — sacred because it conferred so much beyond ordinary ken. (5)
Higher Rites of Passage
On folio 237 of the great Codex Manesso (dated about 1425) now at the university library of Heidelberg, there is a magnificent depletion of Liechtenstein's renowned thirteenth-century troubadour Ulrich bearing on his helmet an image of the Goddess in her form of Minne, who presided over chivalric love. Her name has a fascinating etymology, linked to the Indo-European root men — English, "mind") as the seat of consciousness — the same that the Ancient Egyptian and Old Chinese called "the heart." Her form, preserved by Ulrich's late medieval chronicler, wields a down-pointing arrow in the right hand, and the left arm holds aloft a flaming torch, (6) for she is Mistress of both death and life in that order. She is Mut, Great Mother of Death, and also Isis/Sothis, whose love makes possible the higher birth of Horus from the inert Osiris. As Ta-Urt, ruling the Great Dipper (in Egyptian called "the skin of Set" or the physical body destined for dissolution), she governs the dismemberment and recycling of that temporary vehicle until enough experience has been garnered to go on to a nondeath-interrupted mode of life. This is the deep reason why all great love, from Tristan and lseut (= Isolde) to the Central Asiatic Na-Khi love-death pacts reported by botanist-ethnographer Joseph E. Rock, is so deeply linked to death as a rite of passage.
In the old Celtic traditions preserved in the early Breton/Gaulish romances of the twelfth century, love characteristically triumphed through death itself. (7) The Goddess was always there, as that prince of troubadours, Dante Alighieri, (8) depicted in his too-soon departed and beloved Beatrice, who became his divine protectress during the cosmic shamanic journey he unforgettably describes in La Divina Commedia, culminating in her Universal Love: "But yet the Will rolls onward like a wheel in even motion, by the Love impelled that moves the Sun in heaven and all the Stars." The goal in this life was to balance heaven and earth (incidentally, a very Chinese function for man). As the Swabian troubadour Meister Vridank (fl. 1200) wrote in his Instruction in Discrimination (Bescheidenheit), "Who God and World can encompass, there is a blessed one indeed." In profound ways the society of the twelfth and thirteenth centuries was the pinnacle of Western civilization, teaching, as it did, an apotheosis through love.
The present society, however, — forcing people more and more to think only of physical survival and material support, — naturally tends to block the perception of supra-biological fact and our participation in such a higher process. There is then the sheer dulling effect of leaving no time for such considerations in a person's daily life, whereas in the anciently taught theurgic societies such truths and participation in them were the central core and point of human life. The blocking tendency must be combated.
It is simply not true that our higher heritage will be just as active if we concern ourselves with our material existence alone. On the contrary, it will not be activated unless concern with it reflects consistently in a corresponding self-attunement with it in our behavior. Our actual creed is inescapably made manifest in how we behave, regardless of what anyone may verbally profess.
The Price & the Process
So the principal price to be paid for development leading to a higher body and life is the price every imminently pupating caterpillar pays: principal and regular dedication to that process and project. But if a caterpillar's metamorphic glands are tied off or blocked, it will simply live out its life as a caterpillar and never change. Thus, many human beings will not choose to activate themselves transformationally. But those who do and will, will inspire and help the rest, just as even our material, technological civilization rests upon the inventions, dedication, and genius of a comparative handful. The average Bardo experience is passionate and dreamlike, releasing the full force of a Freudian type of unconscious. In fact, never having read Sophocles' Oedipus Rex or Electra and also incredibly anticipating Freud, the great Tibetan commentator Drashi Namjal wrote that one who will be born as a man already begins in the Bardo realm to hate his future father and love his mother:(9) mutatis mutandi for one who will be born a woman. (10) The powerful unconscious drives released with full impact in the Bardo must sooner or later be dealt with and sublimed, there or here (in the alchemical sense).
I |
= |
9 |
- |
- |
IMAGO |
- |
- |
- |
- |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
1 |
M |
13 |
4 |
4 |
- |
- |
- |
- |
1 |
A |
1 |
1 |
1 |
- |
- |
- |
- |
1 |
G |
7 |
7 |
7 |
- |
- |
- |
- |
1 |
O |
15 |
6 |
6 |
I |
= |
9 |
|
|
IMAGO |
|
|
|
- |
- |
- |
- |
- |
- |
4+5 |
2+7 |
2+7 |
I |
= |
9 |
|
5 |
IMAGO |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
9 |
|
|
|
6 |
|
|
|
1+5 |
|
|
|
|
- |
- |
9 |
|
|
|
15 |
|
|
|
2+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
4 |
1 |
7 |
|
|
|
|
1+2 |
|
|
|
|
- |
- |
|
13 |
1 |
7 |
|
|
|
|
2+1 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
9 |
13 |
1 |
7 |
15 |
|
|
|
4+5 |
|
|
|
|
- |
- |
9 |
4 |
1 |
7 |
6 |
|
|
|
2+7 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
|
|
- |
- |
- |
- |
- |
- |
- |
2 |
TWO |
2 |
- |
- |
- |
|
|
- |
- |
- |
- |
- |
- |
- |
3 |
THREE |
3 |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
4 |
|
|
- |
- |
- |
- |
- |
- |
- |
5 |
FIVE |
5 |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
|
- |
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
7 |
8 |
|
- |
- |
- |
- |
- |
- |
- |
8 |
EIGHT |
8 |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+8 |
|
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2+7 |
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|
2+7 |
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- |
- |
9 |
4 |
1 |
7 |
6 |
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- |
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- |
- |
9 |
|
|
|
6 |
|
|
|
1+5 |
|
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- |
9 |
|
|
|
15 |
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|
2+4 |
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- |
- |
|
4 |
1 |
7 |
|
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1+2 |
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- |
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13 |
1 |
7 |
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2+1 |
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- |
- |
9 |
13 |
1 |
7 |
15 |
|
|
|
4+5 |
|
|
|
|
- |
9 |
4 |
1 |
7 |
6 |
|
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|
2+7 |
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- |
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occurs |
x |
|
= |
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- |
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|
occurs |
x |
|
= |
4 |
|
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|
occurs |
x |
|
= |
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- |
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occurs |
x |
|
= |
7 |
- |
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occurs |
x |
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= |
9 |
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2+7 |
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2+7 |
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- |
9 |
4 |
1 |
7 |
6 |
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- |
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DAILY MAIL
Thursday, February 7,2008
By Laura Clark
Education Correspondent
"I think therefore I'm five"
PHILOSOPHY CLASSES FOR YOUNGSTERS
UNIVERSITY AACHEN
Weathering damage on Pharaonic Sandstone
First Pylon, WNW-facade, part 2. 9. Karnak Temple, Temple of Ptah, .... developed for the sandstone monuments in Upper Egypt, twenty-three investigation ... www.stone.rwth-aachen.
Wbn RaMPt's Vocabulary to English
Thebes (capital of Upper Egypt) webat (wbA.t, fem.) - Courtyard (AS room) wenem (wnm, verb) - eat wenwet (wnw.t, fem.) - hour wepwet (wpw.t, fem.) - message ... www.donf.com/egypt/medu/vocab2.htm
wenem (wnm, verb) - eat
wenwet (wnw.t, fem.) - hour
wepwet (wpw.t, fem.) - message
WENEM 5 5 5 5 5 WENEM
WENWET 555552 WENWET
WEPWET 557552 WEPWET
SIGNS IN THE SKY
OPENING THE STARGATE
Adrian Gilbert 2000
Chapter 8
Page 151
"Originally, according to an Old Kingdom creation myth, Re was a seperate god entirely who sprang from a cosmic egg laid by a celestial goose on the primeval mound at Wnw or Hermopolis Magna."
WNW 555 WNW
W |
= |
5 |
- |
- |
WNW |
- |
- |
- |
- |
- |
- |
- |
1 |
W |
23 |
5 |
5 |
- |
- |
- |
- |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
- |
1 |
W |
23 |
5 |
5 |
W |
= |
5 |
|
|
WNW |
60 |
15 |
15 |
- |
- |
- |
- |
- |
- |
6+0 |
1+5 |
1+5 |
W |
= |
5 |
|
3 |
WNW |
|
6 |
6 |
M |
= |
4 |
- |
4 |
MIND |
40 |
22 |
4 |
S |
= |
1 |
- |
6 |
SPIRIT |
91 |
37 |
1 |
M |
= |
4 |
- |
6 |
MATTER |
77 |
23 |
5 |
- |
- |
9 |
|
16 |
First Total |
|
|
|
- |
- |
- |
- |
1+6 |
Add to Reduce |
2+0+8 |
8+2 |
1+0 |
- |
- |
9 |
- |
|
Second Total |
|
|
|
- |
- |
- |
|
- |
Reduce to Deduce |
1+0 |
1+0 |
- |
- |
- |
9 |
|
|
Essence of Number |
|
|
|
1 |
|
9 |
9 |
|
4 |
|
49 |
13 |
|
2 |
|
14 |
14 |
|
|
Add to Reduce |
|
|
|
- |
Reduce to Deduce |
7+2 |
3+6 |
1+8 |
|
Essence of Number |
|
|
|
1 |
|
9 |
9 |
|
2 |
|
14 |
5 |
|
4 |
|
49 |
13 |
|
1 |
|
9 |
9 |
|
2 |
|
14 |
5 |
|
|
First Total |
|
|
|
1+0 |
Add to Reduce |
9+5 |
4+1 |
3+2 |
|
Second Total |
|
|
|
|
Reduce to Deduce |
1+4 |
- |
|
|
Essence of Number |
|
|
|
|
= |
1 |
6 |
SOURCE |
81 |
36 |
9 |
|
= |
6 |
2 |
OF |
21 |
12 |
3 |
T |
= |
2 |
3 |
THE |
33 |
15 |
6 |
R |
= |
9 |
5 |
RIVER |
72 |
36 |
9 |
|
|
18 |
16 |
First Total |
|
|
|
|
|
1+8 |
1+6 |
Add to Reduce |
2+4+3 |
9+9 |
2+7 |
|
|
|
|
Second Total |
|
|
|
|
|
|
|
Reduce to Deduce |
|
1+8 |
|
|
|
9 |
|
Essence of Number |
|
|
9 |
|
|
|
|
|
|
CONSCIOUS |
|
|
|
2 |
C+O |
18 |
9 |
9 |
3 |
N+S+C |
36 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
2 |
O+U |
36 |
9 |
9 |
1 |
S |
19 |
10 |
1 |
|
|
|
|
|
|
|
1+1+8 |
4+6 |
3+7 |
|
|
|
|
|
|
|
1+0 |
1+0 |
1+0 |
|
|
|
|
|
|
CONSCIENCE |
|
|
|
2 |
C+O |
18 |
9 |
9 |
3 |
N+S+C |
36 |
9 |
9 |
1 |
I |
9 |
9 |
9 |
4 |
E+N+C+E |
27 |
9 |
9 |
|
|
|
|
|
|
|
9+0 |
3+6 |
3+6 |
|
|
|
|
|
DOES GOD PLAY DICE
D |
= |
4 |
|
4 |
DOES |
43 |
16 |
7 |
G |
= |
7 |
|
3 |
GOD |
26 |
17 |
8 |
P |
= |
7 |
|
4 |
PLAY |
54 |
18 |
9 |
D |
= |
4 |
|
4 |
DICE |
39 |
21 |
3 |
- |
- |
|
- |
|
Add to Reduce |
|
|
|
- |
- |
2+2 |
- |
1+5 |
Reduce to Deduce |
1+6+2 |
7+2 |
2+7 |
- |
- |
4 |
- |
|
Essence of Number |
|
|
9 |
Does God play Dice? - Stephen Hawking
www.hawking.org.uk/does-god-play-dice.html
Does God Play Dice: The New Mathematics of Chaos (1989) is a book about chaos theory written by mathematician Ian Stewart. In this book Stewart explains ...
Mathematician Ian Stewart--who is also a very talented writer--shares his insights into the history and nature of the highly complex in Does God Play Dice: The ...
Bohr v Einstein - Does God play dice? - BBC
www.bbc.co.uk/learningzone/clips/...v...does-god-play-dice/14353.html
Book Review: Does God Play Dice - American Mathematical Society
www.ams.org/notices/200211/rev-holmes.pdf
by P Holmes - 2002 - Related articles
Book Review. Does God Play Dice: The New. Mathematics of Chaos and. What Shape Is a Snowflake? Magical Numbers in Nature. Reviewed by Philip Holmes.
GREAT PHILOSOPHIES OF THE EAST
E. W. F. Tomlin 1952
Page 159
"Like the conpilers of the Old Testament: the editors of the Rig-Veda anthology were,careful to preserve intact material beloning to different epochs, We are thus able to trace the development of the early Aryan, religious consciousness , just as a reading of early and later parts of the Bible affords us an enlarged conception of the nature of the Hebrew Yahve. There is wisdom in this refusal on the part of priestly guardians to suppress the primitive elements of their faith; for these are better kept well before the eye than allowed to fester, as the result of exision, in that uneasy corner to be found in the most devout conscience. Some of the vedic hymns are merely satirical, such as that addressed 'To Frogs', which is considered to be a satire on the priesthood; or straightforward vers de societe- such as that on the 'The Gambler', of whose ('dice dearer than soma') it is said:
Downward they roll, and then spring quickly upward, and handless, force
The man with hands to serve them.
Cast on the board, like lumps of magic charcoal, though cold themselves, they burn
The heart to ashes."
CHANCE, SKILL, AND LUCK
The psychology of guessing and gambling
John Cohen 1960
Page57
"The propounding of a riddle to an an opponent served a purpose similar to that of divination, for it provided him
with an opportunity to demonstrate that the gods supported- him. The questioner held him bound until he found the solution, and once he had found it he was free. The riddle thus had a sacred significance. 10,11 Divination by lot or riddle was never merely a resort to meaningless chance. It was an appeal directed to supernatural powers, as when the Greek heroes cast lots to decide who would fight with Hector.12 Since it is impossible to predict the fall of a die or the result of casting lots the outcome must presumably be decided by divine intervention. The professional diviners in the market-places of China foretold the future by means of the samse lots with which the people gambled. To this day playing cards are used for telling fortunes as well as for gambling, on the assumption that a supernatural force influences the shuffling of the cards and hence governs the result. Divination embodies the idea that the gods themselves govern the universe by gambling. The Ases of Scandinavian myths, like the Hindu Siva, god of a thousand names', determined the fate of mankind by throw-/Page 58/ing dice. So, two, in Homer's Illiad (Bookxv), Poseidon, Zeus and Hades divide the world between them by shaking lots, which by their special power could reveal the will of the gods.13 In the myth of Osiris, Rhea (Nut= the heaven) had five children born on the the five 'epagomenal' days of the year, after the 360th day. Hermes (Thoth) had won those days during a game of draughts with Selene (the moon).
DOES GOD PLAY DICE
THE NEW MATHEMATICS OF CHAOS
Ian Stewart 1989
Page 1
PROLOGUE
CLOCKWORK OR CHAOS?
"YOU BELIEVE IN A GOD WHO PLAYS DICE, AND I IN COMPLETE LAW AND ORDER."
Albert Einstein, Letter to Max Born
The Death Of Forever
A New Future for Human Consciousness
Darryl Reanney (1995 Edition)
Page 219
(It was this indeterminate character of quantum mechanics that caused Einstein to complain that God 'did not play dice with the world'.)
TWO HANDS OF GOD
An Exploration of the Underlying Unity of all Things
Alan Watts 1963
The Cosmic Dance
Page 98
"In Puranic literature the Hindu gods, like those of the Greeks, disport themselves by descending to the human condition and allowing them selves to be carried away by human passions. This is perhaps a way of saying that at every level of /Page 98/ life- divine, human, or animal-the problem and predicament of life is the same; an eternal giving-in to the temptation of losing control of the situation, of trusting oneself to chance-the passion of the gambler. Hence the words of Krishna in the Bhagavad Gita " I am the gambling of the cheat."
DAILY MIRROR
Tuesday November 25, 2008
Front Page
By Bob Roberts, Political Editor
"THE GAMBLER"
"...ACES HIGH..."
"...holding winning hand..."
"...gamble..."
Page 4
"...gamble..."
"...gamble..."
Page 5
"...gamble..."
DAILY MAIL
Monday, November 24, 2008
Front Page
By Michael Lea Political Correspondent
"...GAMBLE ON YOUR FUTURE..."
"...gamble..."
Page 6
"...gamble..."
DAILY MAIL
Friday, August 10, 2007
By James Chapman Deputy Political Editor
Front Page
"...GAMBLING..."
"...gambling..."
"...gambling..."
"...gambling..."
"...gambling..."
Page 4
"Gambling our future"
"...Gambling..."
"...gambling..."
"...gambling..."
"...gambling..."
"...gambling..."
"...gambling..."
"...gambling..."
"...gambling..."
"...Gambling..."
"...gambling..."
"...gambling..."
"...gambling..."
"...gambling..."
"...gambling..."
"...gamblers..."
"...gambling..."
Page 12/13
".Lucan I should be so lucky"
By Brian Masters
Page 13
"What ingrediants are needed to ensure these stories endure? The tales must involve somebody famous, somebody rich, somebody notorious, somebody dead, or somebody about whom mystery can be endlessly invoked. If you can manage all these then you have a winner"
"...gambled..."
PLAY UP PLAY UP AND PLAY THE GAME
ODDS AND EVENS
HEADS I WIN TAILS YOU LOSE
AGAINST THE GODS
THE REMARKABLE STORY OF RISK
Peter L. Bernstein
Page 11
The Winds of the Greeks and the Role of the Dice
"Human beings have always been infatuated with gambling because it puts us head to head against the fates, with no holds barred. We enter this daunting battle because we are convinced that we have a powerful ally: Lady Luck will interpose herself between us and the fates / Page 12 /(or the odds) to bring victory to our side."
Page 50
"On the cast of one die"
GOD
Alexander Waugh
Page 162
Einstein's blunder. - When Einstein tried to refute quantum physics with his now famous dictum 'God does not play dice' He revealed his ignorance of scripture, for God does indeed play dice in the form of a game called urim and thummim. These flat stone dice are mentioned many times in the Hebrew Bible.
A |
= |
1 |
|
6 |
ALBERT |
58 |
22 |
4 |
E |
= |
5 |
|
8 |
EINSTEIN |
95 |
41 |
5 |
- |
- |
|
- |
|
Add to Reduce |
|
|
|
- |
- |
2+2 |
- |
1+4 |
Reduce to Deduce |
1+5+3 |
6+3 |
- |
- |
- |
6 |
- |
|
Essence of Number |
|
|
9 |
Albert Einstein - Wikiquote
en.wikiquote.org/wiki/Albert_Einstein
I, at any rate, am convinced that He does not throw dice. .... and the Poet, Einstein said: "As I have said so many times, God doesn't play dice with the world."
Albert Einstein
A hundred times every day I remind myself that my inner and outer life are based on the labors of other men, living and dead, and that I must exert myself in order to give in the same measure as I have received and am still receiving...
Albert Einstein (14 March 1879 – 18 April 1955) was a theoretical physicist and humanist who is widely regarded as one of the most influential scientists of all time. He is most famous for his Special and General Theories of Relativity, but contributed in other areas of physics. He won the Nobel Prize in physics for his explanation of the photoelectric effect.
A new type of thinking is essential if mankind is to survive and move toward higher levels. From "Atomic Education Urged by Einstein", New York Times (25 May 1946), and later quoted in the article "The Real Problem is in the Hearts of Man" by Michael Amrine, from the New York Times Magazine (23 June 1946). A slightly modified version of the 23 June article was reprinted in Einstein on Peace by Otto Nathan and Heinz Norden (1960), and it was also reprinted in Einstein on Politics by David E. Rowe and Robert Schulmann (2007), p. 383.
In The New Quotable Einstein (2005), editor Alice Calaprice suggests that two quotes attributed to Einstein which she could not find sources for, "The significant problems we face cannot be solved at the same level of thinking we were at when we created them" and "The world we have created today as a result of our thinking thus far has problems which cannot be solved by thinking the way we thought when we created them," may both be paraphrases of the 1946 quote above. A similar unsourced variant is "The world we have created is a product of our thinking; it cannot be changed without changing our thinking."
In the 23 June article Einstein expanded somewhat on the original quote from the 25 May article: Many persons have inquired concerning a recent message of mine that "a new type of thinking is essential if mankind is to survive and move to higher levels."Often in evolutionary processes a species must adapt to new conditions in order to survive. Today the atomic bomb has altered profoundly the nature of the world as we knew it, and the human race consequently finds itself in a new habitat to which it must adapt its thinking.In the light of new knowledge, a world authority and an eventual world state are not just desirable in the name of brotherhood, they are necessary for survival. In previous ages a nation's life and culture could be protected to some extent by the growth of armies in national competition. Today we must abandon competition and secure cooperation. This must be the central fact in all our considerations of international affairs; otherwise we face certain disaster. Past thinking and methods did not prevent world wars. Future thinking must prevent wars.
Letter of 1950, as quoted in The New York Times (29 March 1972) and The New York Post (28 November 1972). However, The New Quotable Einstein by Alice Calaprice (Princeton University Press, 2005: ISBN 0691120749), p. 206, has a different and presumably more accurate version of this letter, which she dates to February 12, 1950 and describes as "a letter to a distraught father who had lost his young son and had asked Einstein for some comforting words":
A human being is a part of the whole, called by us "Universe," a part limited in time and space. He experiences himself, his thoughts and feelings as something separate from the rest—a kind of optical delusion of his consciousness. The striving to free oneself from this delusion is the one issue of true religion. Not to nourish it but to try to overcome it is the way to reach the attainable measure of peace of mind.
I am enough of an artist to draw freely upon my imagination. Imagination is more important than knowledge. Knowledge is limited. Imagination encircles the world.
Quote by Albert Einstein: God does not play dice with the universe.
www.goodreads.com/.../2669-god-does-not-play-dice-with-the-universe
“God does not play dice with the universe.”
― Albert Einstein, The Born-Einstein Letters 1916-55
5 |
URIMM |
61 |
25 |
7 |
7 |
THUMMIM |
97 |
34 |
7 |
GOD
Alexander Waugh 2002
Page 162
Einstein's blunder. - When Einstein tried to refute quantum physics with his now famous dictum 'God does not play dice' He revealed his ignorance of scripture, for God does indeed play dice in the form of a game called urim and thummim. These flat stone dice are mentioned many times in the Hebrew Bible. Although urim and thummim actually belonged to God (Ps.-Philo 47:2) they were jealously guarded by the high priest either in his ephod (an oracular pouch) or in a pocket by his chest. The exact manner in which urim and thummim was played has been lost to the mysteries of time, but it is thought they provided the same function as a coin when it is flipped for heads or tails.
G |
= |
7 |
|
4 |
GODS |
45 |
18 |
9 |
O |
= |
7 |
|
2 |
OF |
21 |
12 |
3 |
T |
= |
7 |
|
3 |
THE |
33 |
15 |
6 |
F |
= |
4 |
|
9 |
FIRMAMENT |
99 |
45 |
9 |
- |
- |
|
- |
|
First Total |
|
|
|
- |
- |
2+5 |
- |
1+8 |
Add to Reduce |
1+9+8 |
9+0 |
2+7 |
- |
- |
6 |
- |
|
Second Total |
|
|
9 |
- |
- |
- |
- |
- |
Reduce to Deduce |
1+8 |
- |
- |
- |
- |
6 |
- |
|
Essence of Number |
|
|
9 |
- |
- |
- |
- |
- |
SIRIUS |
- |
- |
- |
S |
= |
1 |
|
1 |
S |
19 |
10 |
1 |
I |
= |
9 |
|
1 |
I |
9 |
9 |
9 |
R |
= |
9 |
|
1 |
R |
18 |
9 |
9 |
I |
= |
9 |
|
1 |
I |
9 |
9 |
9 |
U |
= |
3 |
|
1 |
U |
21 |
3 |
3 |
S |
= |
1 |
|
1 |
S |
19 |
10 |
1 |
- |
- |
32 |
- |
|
SIRIUS |
|
|
32 |
- |
- |
3+2 |
- |
- |
- |
9+5 |
5+0 |
3+2 |
- |
- |
|
- |
|
SIRIUS |
|
|
|
- |
- |
- |
- |
- |
- |
1+4 |
- |
- |
- |
- |
5 |
- |
|
SIRIUS |
|
5 |
5 |
- |
- |
- |
- |
- |
SOTHIS |
- |
- |
- |
- |
- |
- |
|
1 |
S+O |
34 |
7 |
7 |
- |
- |
- |
|
1 |
T+H+I+S |
56 |
20 |
2 |
S |
= |
1 |
|
|
SOTHIS |
|
|
|
- |
- |
- |
- |
- |
- |
9+0 |
2+7 |
- |
S |
= |
1 |
- |
|
SOTHIS |
|
|
9 |
- |
- |
- |
- |
- |
- |
1+4 |
- |
- |
S |
= |
1 |
- |
|
SOTHIS |
|
9 |
9 |
Sothic cycle - Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/Sothic_cycle
The Sothic year is the length of time for the star Sirius/Sothis to visually return to the same position in relation to the sun. Star years measured in this way vary ...
Sirius, known in ancient Egypt as Sopdet (Greek: Σῶθις = Sothis), is recorded in the earliest astronomical records. During the era of the Middle Kingdom, ...
Sirius (star) -- Encyclopedia Britannica - Britannica.com
www.britannica.com/EBchecked/topic/546598/Sirius
Sirius was known as Sothis to the ancient Egyptians, who were aware that it made its first heliacal rising (i.e., rose just before sunrise) of the year at about the ...
Sirius - Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/Sirius
Sirius is the brightest star in the night sky. With a visual apparent magnitude of −1.46, it is almost twice as bright as Canopus, the next brightest star. The name ...
Sirius (disambiguation) - Canis Major - Sirius Satellite Radio - The Sirius Mystery
Sirius
Sirius is the brightest star in the night sky. With a visual apparent magnitude of −1.46, it is almost twice as bright as Canopus, the next brightest star. The name "Sirius" is derived from the Ancient Greek: Σείριος Seirios ("glowing" or "scorcher"). The star has the Bayer designation Alpha Canis Majoris (α CMa). What the naked eye perceives as a single star is actually a binary star system, consisting of a white main-sequence star of spectral type A1V, termed Sirius A, and a faint white dwarf companion of spectral type DA2, called Sirius B. The distance separating Sirius A from its companion varies between 8.1 and 31.5 AU.[18]
Sirius appears bright because of both its intrinsic luminosity and its proximity to Earth. At a distance of 2.6 parsecs (8.6 ly), as determined by the Hipparcos astrometry satellite,[5][19][20] the Sirius system is one of Earth's near neighbors; for Northern-hemisphere observers between 30 degrees and 73 degrees of latitude (including almost all of Europe and North America), it is the closest star (after the Sun) that can be seen with the naked eye. Sirius is gradually moving closer to the Solar System, so it will slightly increase in brightness over the next 60,000 years. After that time its distance will begin to recede, but it will continue to be the brightest star in the Earth's sky for the next 210,000 years.[21]
Sirius A is about twice as massive as the Sun and has an absolute visual magnitude of 1.42. It is 25 times more luminous than the Sun[7] but has a significantly lower luminosity than other bright stars such as Canopus or Rigel. The system is between 200 and 300 million years old.[7] It was originally composed of two bright bluish stars. The more massive of these, Sirius B, consumed its resources and became a red giant before shedding its outer layers and collapsing into its current state as a white dwarf around 120 million years ago.[7]
Sirius is also known colloquially as the "Dog Star", reflecting its prominence in its constellation, Canis Major (Greater Dog).[12] The heliacal rising of Sirius marked the flooding of the Nile in Ancient Egypt and the "dog days" of summer for the ancient Greeks, while to the Polynesians it marked winter and was an important star for navigation around the Pacific Ocean
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
D |
= |
4 |
|
3 |
DOG |
26 |
17 |
8 |
S |
= |
1 |
|
4 |
STAR |
58 |
13 |
4 |
- |
- |
|
- |
|
Add to Reduce |
|
|
18 |
- |
- |
- |
- |
1+0 |
Reduce to Deduce |
1+1+7 |
4+5 |
1+8 |
- |
- |
7 |
- |
|
Essence of Number |
|
|
|
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
G |
= |
7 |
|
3 |
GOD |
26 |
17 |
8 |
S |
= |
1 |
|
4 |
STAR |
58 |
13 |
4 |
- |
- |
|
- |
|
Add to Reduce |
|
|
18 |
- |
- |
1+0 |
- |
1+0 |
Reduce to Deduce |
1+1+7 |
4+5 |
1+8 |
- |
- |
|
- |
|
Essence of Number |
|
|
|
T |
= |
2 |
|
3 |
THE |
33 |
15 |
6 |
S |
= |
1 |
|
4 |
STAR |
58 |
13 |
4 |
G |
= |
7 |
|
3 |
GOD |
26 |
17 |
8 |
- |
- |
|
- |
|
Add to Reduce |
|
|
18 |
- |
- |
1+0 |
- |
1+0 |
Reduce to Deduce |
1+1+7 |
4+5 |
1+8 |
- |
- |
|
- |
|
Essence of Number |
|
|
|
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
HAVE |
- |
- |
- |
- |
- |
- |
- |
2 |
H+A |
9 |
9 |
9 |
- |
- |
- |
- |
2 |
V+E |
27 |
9 |
9 |
H |
= |
8 |
|
|
HAVE |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
COME |
- |
- |
- |
- |
- |
- |
- |
2 |
C+O |
18 |
9 |
9 |
- |
- |
- |
- |
2 |
M+E |
18 |
9 |
9 |
C |
= |
3 |
|
|
COME |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
9 |
First Total |
|
|
|
- |
- |
2+0 |
- |
- |
Add to Reduce |
8+1 |
4+5 |
4+5 |
- |
- |
2 |
|
9 |
Second Total |
9 |
|
|
- |
- |
- |
- |
- |
Reduce to Deduce |
- |
- |
- |
- |
- |
2 |
|
9 |
Essence of Number |
9 |
9 |
9 |
Maat
From Wikipedia, the free encyclopedia
Maat
Maat.svg
Maat was both the goddess and the personification of truth and justice. Her ostrich feather represents truth.
Goddess of truth and justice
Major cult center
All ancient Egyptian cities
Symbol
the ostrich feather
Consort
Thoth (in some accounts)
Parents
Ra
Maat or ma'at (thought to have been pronounced *[muʔ.ʕat]),[1] also spelled māt or mayet, was the ancient Egyptian concept of truth, balance, order, law, morality, and justice. Maat was also personified as a goddess regulating the stars, seasons, and the actions of both mortals and the deities, who set the order of the universe from chaos at the moment of creation. Her (ideological) counterpart was Isfet.
The earliest surviving records indicating Maat is the norm for nature and society, in this world and the next, were recorded during the Old Kingdom, the earliest substantial surviving examples being found in the Pyramid Texts of Unas (ca. 2375 BCE and 2345 BCE).[2]
Later, as a goddess in other traditions of the Egyptian pantheon, where most goddesses were paired with a male aspect, her masculine counterpart was Thoth and their attributes are the same. After the rise of Ra they were depicted together in the Solar Barque.
After her role in creation and continuously preventing the universe from returning to chaos, her primary role in Egyptian mythology dealt with the weighing of souls that took place in the underworld, Duat.[3] Her feather was the measure that determined whether the souls (considered to reside in the heart) of the departed would reach the paradise of afterlife successfully.
Pharaohs are often depicted with the emblems of Maat to emphasise their role in upholding the laws of the Creator.[4]
Maat wearing feather of truth
Maat as a principle was formed to meet the complex needs of the emergent Egyptian state that embraced diverse peoples with conflicting interests.[5] The development of such rules sought to avert chaos and it became the basis of Egyptian law. From an early period the King would describe himself as the "Lord of Maat" who decreed with his mouth the Maat he conceived in his heart.
The significance of Maat developed to the point that it embraced all aspects of existence, including the basic equilibrium of the universe, the relationship between constituent parts, the cycle of the seasons, heavenly movements, religious observations and fair dealings, honesty and truthfulness in social interactions.[6]
The ancient Egyptians had a deep conviction of an underlying holiness and unity within the universe. Cosmic harmony was achieved by correct public and ritual life. Any disturbance in cosmic harmony could have consequences for the individual as well as the state. An impious King could bring about famine or blasphemy blindness to an individual.[7] In opposition to the right order expressed in the concept of Maat is the concept of Isfet: chaos, lies and violence.[8]
In addition to the importance of the Maat, several other principles within ancient Egyptian law were essential, including an adherence to tradition as opposed to change, the importance of rhetorical skill, and the significance of achieving impartiality, and social justice. In one Middle Kingdom (2062 to c. 1664 BCE) text the Creator declares "I made every man like his fellow". Maat called the rich to help the less fortunate rather than exploit them, echoed in tomb declarations: "I have given bread to the hungry and clothed the naked" and "I was a husband to the widow and father to the orphan".[9]
To the Egyptian mind, Maat bound all things together in an indestructible unity: the universe, the natural world, the state, and the individual were all seen as parts of the wider order generated by Maat.
The underlying concepts of Taoism and Confucianism resemble Maat at times.[10] Many of these concepts were codified into laws, and many of the concepts often were discussed by ancient Egyptian philosophers and officials who referred to the spiritual text known as the Book of the Dead.
Maat and the law[edit source]
There is little surviving literature that describes the practice of ancient Egyptian law. Maat was the spirit in which justice was applied rather than the detailed legalistic exposition of rules (as found in Mosaic law of the 1st millennium BCE). Maat was the norm and basic values that formed the backdrop for the application of justice that had to be carried out in the spirit of truth and fairness. From the 5th dynasty (c. 2510-2370 BCE) onwards the Vizier responsible for justice was called the Priest of Maat and in later periods judges wore images of Maat.[11]
Later scholars and philosophers also would embody concepts from the wisdom literature, or Sebayt.[12] These spiritual texts dealt with common social or professional situations and how each was best to be resolved or addressed in the spirit of Maat. It was very practical advice, and highly case-based, so that few specific and general rules could be derived from them.
During the Greek period in Egyptian history, Greek law existed alongside Egyptian law. The Egyptian law preserved the rights of women who were allowed to act independently of men and own substantial personal property and in time this influenced the more restrictive conventions of the Greeks and Romans.[13] When the Romans took control of Egypt, the Roman legal system which existed throughout the Roman Empire was imposed in Egypt.
Maat and scribes[edit source]
Scribes held prestigious positions in ancient Egyptian society in view of their importance in the transmission of religious, political and commercial information.[14]
Thoth was the patron of scribes who is described as the one "who reveals Maat and reckons Maat; who loves Maat and gives Maat to the doer of Maat".[15] In texts such as the Instruction of Amenemope the scribe is urged to follow the precepts of Maat in his private life as well as his work.[16] The exhortations to live according to Maat are such that these kinds of instructional texts have been described as "Maat Literature".[17]
Maat as a goddess[edit source]
Goddess Maat[18][19]
in hieroglyphs
Maat was the goddess of harmony, justice, and truth represented as a young woman,[20] sitting or standing, holding a was scepter, the symbol of power, in one hand and an ankh, the symbol of eternal life, in the other. Sometimes she is depicted with wings on each arm or as a woman with an ostrich feather on her head.[21] Depictions of Maat as a goddess are recorded from as early as the middle of the Old Kingdom (c. 2680 to 2190 BCE).[22]
The sun-god Ra came from the primaeval mound of creation only after he set his daughter Maat in place of Isfet (chaos). Kings inherited the duty to ensure Maat remained in place and they with Ra are said to "live on Maat", with Akhenaten (r. 1372-1355 BCE) in particular emphasising the concept to a degree that, John D. Ray asserts, the kings contemporaries viewed as intolerance and fanaticism.[23] Some kings incorporated Maat into their names, being referred to as Lords of Maat,[24] or Meri-Maat (Beloved of Maat). When beliefs about Thoth arose in the Egyptian pantheon and started to consume the earlier beliefs at Hermopolis about the Ogdoad, it was said that she was the mother of the Ogdoad and Thoth the father.
In the Duat, the Egyptian underworld, the hearts of the dead were said to be weighed against her single "Feather of Ma'at", symbolically representing the concept of Maat, in the Hall of Two Truths. A heart which was unworthy was devoured by the goddess Ammit and its owner condemned to remain in the Duat. The heart was considered the location of the soul by ancient Egyptians. Those people with good and pure hearts were sent on to Aaru. Osiris came to be seen as the guardian of the gates of Aaru after he became part of the Egyptian pantheon and displaced Anubis in the Ogdoad tradition.
The weighing of the heart, pictured on papyrus in the Book of the Dead typically, or in tomb scenes, shows Anubis overseeing the weighing and the lioness Ammit seated awaiting the results so she could consume those who failed. The image would be the vertical heart on one flat surface of the balance scale and the vertical Shu-feather standing on the other balance scale surface. Other traditions hold that Anubis brought the soul before the posthumous Osiris who performed the weighing.
Temples of Maat[edit source]
The earliest evidence for a dedicated temple is in the New Kingdom (c. 1569 to 1081 BCE) era, despite the great importance placed on Maat. Amenhotep III commissioned a temple in the Karnak complex, whilst textual evidence indicates that other temples of Maat were located in Memphis and at Deir el-Medina.[25]
Maat themes found in the The Book of Going Forth by Day and on tomb inscriptions[edit source]
This section possibly contains original research. Please improve it by verifying the claims made and adding inline citations. Statements consisting only of original research may be removed. (November 2011)
A section of the Egyptian Book of the Dead written on papyrus showing the "Weighing of the Heart" in the Duat using the feather of Maat as the measure in balance
One aspect of ancient Egyptian funerary literature which often is mistaken for a codified ethic of Maat is Spell (Chapter) 125 of the Book of the Dead or Papyrus of Ani (known to the ancient Egyptians as The Book of Going Forth by Day). The lines of these texts are often collectively called the "Forty-Two Declarations of Purity". These declarations varied somewhat from tomb to tomb and so cannot be considered a canonical definition of Maat. Rather, they appear to express each tomb owner's individual practices in life to please Maat, as well as words of absolution from misdeeds or mistakes, made by the tomb owner in life could be declared as not having been done, and through the power of the written word, wipe particular misdeed from the afterlife record of the deceased.
Many of the lines are similar, however, and they can help to give the student a "flavor" for the sorts of things which Maat governed — essentially everything, from the most formal to the most mundane aspects of life.
The doctrine of Maat is represented in the declarations to Rekhti-merti-f-ent-Maat and the 42 Negative Confessions listed in the Papyrus of Ani. The following are taken from public domain translations made by E. A. Wallis Budge in the early part of the 20th century; more recent translations may differ in the light of modern scholarship.
I
THAT
AM AT MAAT AT AM
I
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
T |
= |
2 |
- |
4 |
THAT |
49 |
13 |
4 |
A |
= |
1 |
- |
2 |
AM |
14 |
5 |
5 |
A |
= |
1 |
|
|
AT |
|
|
|
M |
= |
4 |
|
|
MAAT |
|
|
|
A |
= |
1 |
|
|
AT |
|
|
|
A |
= |
1 |
|
|
AM |
14 |
5 |
5 |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
First Total |
|
|
|
- |
- |
2+8 |
- |
1+8 |
Add to Reduce |
1+7+2 |
5+5 |
4+6 |
- |
- |
10 |
|
9 |
Second Total |
10 |
10 |
10 |
- |
- |
1+0 |
- |
- |
Reduce to Deduce |
1+0 |
1+0 |
1+0 |
- |
- |
1 |
|
9 |
Essence of Number |
1 |
1 |
1 |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
T |
= |
2 |
- |
4 |
THAT |
49 |
13 |
4 |
A |
= |
1 |
- |
2 |
AM |
14 |
5 |
5 |
A |
= |
1 |
|
|
AT |
|
|
|
M |
= |
4 |
|
|
MAAT |
|
|
|
A |
= |
1 |
|
|
AM |
14 |
5 |
5 |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
Add to Reduce |
|
|
|
- |
- |
1+7 |
- |
1+6 |
Reduce to Deduce |
1+5+1 |
5+2 |
4+3 |
- |
- |
8 |
|
7 |
Essence of Number |
7 |
7 |
7 |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
HAVE |
- |
- |
- |
- |
- |
- |
- |
2 |
H+A |
9 |
9 |
9 |
- |
- |
- |
- |
2 |
V+E |
27 |
9 |
9 |
H |
= |
8 |
|
|
HAVE |
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
Add to Reduce |
|
|
|
- |
- |
1+7 |
- |
- |
Reduce to Deduce |
4+5 |
2+7 |
2+7 |
- |
- |
8 |
|
5 |
Essence of Number |
9 |
9 |
9 |
42 Negative Confessions (Papyrus of Ani)[edit source]
1.I have not committed sin.
2.I have not committed robbery with violence.
3.I have not stolen.
4.I have not slain men and women.
5.I have not stolen grain.
6.I have not purloined offerings.
7.I have not stolen the property of the god.
8.I have not uttered lies.
9.I have not carried away food.
10.I have not uttered curses.
11.I have not committed adultery, I have not lain with men.
12.I have made none to weep.
13.I have not eaten the heart [i.e I have not grieved uselessly, or felt remorse].
14.I have not attacked any man.
15.I am not a man of deceit.
16.I have not stolen cultivated land.
17.I have not been an eavesdropper.
18.I have slandered [no man].
19.I have not been angry without just cause.
20.I have not debauched the wife of any man.
21.I have not debauched the wife of [any] man. (repeats the previous affirmation but addressed to a different god).
22.I have not polluted myself.
23.I have terrorised none.
24.I have not transgressed [the Law].
25.I have not been wroth.
26.I have not shut my ears to the words of truth.
27.I have not blasphemed.
28.I am not a man of violence.
29.I am not a stirrer up of strife (or a disturber of the peace).
30.I have not acted (or judged) with undue haste.
31.I have not pried into matters.
32.I have not multiplied my words in speaking.
33.I have wronged none, I have done no evil.
34.I have not worked witchcraft against the King (or blasphemed against the King).
35.I have never stopped [the flow of] water.
36.I have never raised my voice (spoken arrogantly, or in anger).
37.I have not cursed (or blasphemed) God.
38.I have not acted with evil rage.
39.I have not stolen the bread of the gods.
40.I have not carried away the khenfu cakes from the Spirits of the dead.
41.I have not snatched away the bread of the child, nor treated with contempt the god of my city.
42.I have not slain the cattle belonging to the god.[26]
Assessors of Maat[edit source]
"The Assessors of Maat" are the 42 deities listed in the Papyrus of Nebseni, to whom the deceased make the Negative Confession in the Papyrus of Ani.[27]
See also[edit source]
Seshat, goddess of writing and measure, and a wife of Thoth
Egyptian soul
Notes[edit source]
1.^ Information taken from phonetic symbols for Maat, and explanations on how to pronounce based upon modern reals, revealed in (Collier and Manley pp. 2–4, 154)
2.^ Siegfried Morenz (1973). Egyptian Religion: Siegried Morenz. p. 273. ISBN 978-0-8014-8029-4.
3.^ Budge. The Gods of the Egyptians Vol. 1 p. 418.
4.^ Henrietta McCall (1990-01). Mesopotamian myths. University of Texas Press. p. 46. ISBN 0-292-72076-9.
5.^ Norman Rufus Colin Cohn (1993). Cosmos, Caos and the World to Come: The Ancient Roots of Apocalyptic Faith. p. 9. ISBN 978-0-300-05598-6.
6.^ Norman Rufus Colin Cohn (1993). Cosmos, Caos and the World to Come: The Ancient Roots of Apocalyptic Faith. p. 9. ISBN 978-0-300-05598-6.
7.^ John Romer, "Testament", pp. 41-42, Guild Publishing, 1988.
8.^ "Religion and Cultural Memory: Ten Studies", Jan Assmann, Translated by Rodney Livingstone, p. 34, Stanford University Press, 2006, ISBN 080474523.
9.^ James P. Allen (2000). Middle Egyptian: An Introduction to the Language and Culture of Hieroglyphs. p. 116. ISBN 978-0-521-77483-3.
10.^ Edwin Oliver James (1970). Creation and Cosmology: A Historical and Comparative Study. Brill Academic Pub. p. 50. ISBN 978-90-04-01617-0.
11.^ Siegfried Morenz (1973). Egyptian Religion: Siegried Morenz. pp. 117–125. ISBN 978-0-8014-8029-4.
12.^ See Russ VerSteeg, Law in Ancient Egypt 19 (Carolina Academic Press 2002)
13.^ Anton Powell (1995). The Greek World. Psychology Press. p. 303. ISBN 978-0-415-17042-0.
14.^ Black, p. 130
15.^ Black, p. 131
16.^ Black, p. 132
17.^ Black, p. 157
18.^ Hieroglyphs can be found in (Collier and Manley pp. 27, 29, 154)
19.^ (Budge The Gods of the Egyptians Vol. 1 p. 416)
20.^ robert a armour (2001). gods and myths of ancient egypt. American University in Cairo Press. ISBN 978-977-424-669-2.
21.^ Budge The Gods of the Egyptians Vol. 1 p. 416)
22.^ "The Oxford Essential Guide to Egyptian Mythology", Edited by Donald B. Redford, p. 190, Berkeley, 2003, ISBN 0-425-19096-X
23.^ "Reflections on Osiris", John D. Ray, p. 64, Profile books,2002, ISBN 186197 490 6
24.^ Barry J. Kemp (2005). 100 hieroglyphs: think like an Egyptian. ISBN 1-86207-658-8.
25.^ "The Essential Guide to Egyptian Mythology:The Oxford Guide", p190, Berkeley Reference, 2003, ISBN 0-425-19096-X
26.^ The Book of the Dead. Gramercy. 1995-01-23. pp. 576–582. ISBN 978-0-517-12283-9.
27.^ (Budge The Gods of the Egyptians Vol. 1 pp. 418-20)
References[edit source]
Black, James Roger. "The Instruction of Amenemope: A Critical Edition and Commentary--Prolegomenon and Prologue", Dissertation University of Wisconsin-Madison, 2002 [1]
Budge, E. A. Wallis. The Egyptian Book of the Dead: (The Papyrus of Ani) Egyptian Text Transliteration and Translation. New York: Dover Publications, 1967. Originally published in 1895.
Budge, E. A. Wallis. The Gods of the Egyptians: Studies in Egyptian Mythology — Volume 1. New York: Dover Publications, 1969. Originally published in 1904.
Collier, Mark and Manly, Bill. How to Read Egyptian Hieroglyphs: Revised Edition. Berkeley: University of California Press, 1998.
Faulkner, Raymond. The Egyptian Book of the Dead. San Francisco: Chronicle Books, 1994. ISBN 0-8118-6489-8
Mancini, Anna. Maat Revealed: Philosophy of Justice in Ancient Egypt. New York: Buenos Books America, 2004.
Strudwick, Helen. The Encyclopedia of Ancient Egypt. Singapore: De Agostini UK, 2006.
Journey through the afterlife, Ancient Egyptian Book of the Dead edited by John H. Taylor ( the British Museum Press 2010. London ISBN 0-7141-1989-X)
Know I’ve done wrong, left your heart torn
Is that what devils do?
Took you so long, where only fools gone
I shook the angel in you!
Now I’m rising from the crowd
Rising up to you!
Feel with all the strength I found
There's nothing I can’t do!
Chorus:
I need to know now, know now
Can you love me again?
I need to know now, know now
Can you love me again?
I need to know now, know now
Can you love me again?
I need to know now, know now
Can you love me again?
I need to know now, know now
Can you love me again?
It’s unforgivable,
I stole and burnt your soul
Is that what demons do, hey?
They rule the worst in me
Destroy everything,
They blame on angels like you, hey!
Now I’m rising from the crowd
Rising up to you!
Filled with all the strength I found
There's nothing I can’t do!
Chorus:
I need to know now, know now
Can you love me again?
I need to know now, know now
Can you love me again?
I need to know now, know now
Can you love me again?
I need to know now, know now
Can you love me again?
I need to know now, know now
Can you love me again?
Uh, uh, uh, uh!
Oh, oh!
Told you once again,
Do this again, do this again, oh!
I told you once again,
Do this again, do this again, oh, oh!
Chorus:
I need to know now, know now
Can you love me again?
I need to know now, know now
Can you love me again?
I need to know now, know now
Can you love me again?
I need to know now, know now
Can you love me again?
I need to know now, know now
Can you love me again?
John Newman : "Love Me Again" Lyrics
www.sweetslyrics.com › Artists starting with J
Know I've done wrong, left your heart torn / Is that what devils do? / Took you so long, where only fools gone / I shook the angel in you!/ Now I'm rising from the ...
THE MYTH OF ER THE MYTH OF RE
Mnemosyne - Wikipedia, the free encyclopedia
en.wikipedia.org/wiki/Mnemosyne
Zeus and Mnemosyne slept together for nine consecutive nights, thus birthing the nine Muses. Mnemosyne also presided over a pool[3] in Hades, counterpart to the river Lethe, according to a series of 4th century BC Greek funerary inscriptions in dactylic hexameter. Dead souls drank from Lethe so they would not remember their past lives when reincarnated. Initiates were encouraged to drink from the river Mnemosyne when they died, instead of Lethe. These inscriptions may have been connected with Orphic poetry (see Zuntz, 1971).
Similarly, those who wished to consult the oracle of Trophonius in Boeotia were made to drink alternately from two springs called "Lethe" and "Mnemosyne". An analogous setup is described in the Myth of Er at the end of Plato's Republic.
- |
|
|
- |
9 |
MNEMOSYNE |
|
|
|
- |
- |
- |
- |
2 |
M+N |
27 |
9 |
9 |
- |
- |
- |
- |
2 |
E+M |
18 |
9 |
9 |
- |
- |
- |
- |
1 |
O |
15 |
6 |
6 |
- |
- |
- |
- |
4 |
S+Y+N+E |
63 |
18 |
9 |
M |
= |
4 |
- |
9 |
MNEMOSYNE |
|
|
|
- |
- |
- |
- |
|
- |
1+2+3 |
4+2 |
3+3 |
M |
= |
4 |
- |
|
MNEMOSYNE |
|
|
6 |
Z |
= |
8 |
- |
4 |
ZEUS |
|
|
|
- |
- |
- |
- |
1 |
Z |
26 |
8 |
8 |
- |
- |
- |
- |
3 |
E+U+S |
45 |
18 |
9 |
Z |
= |
8 |
- |
4 |
ZEUS |
|
|
|
- |
- |
- |
- |
|
- |
7+1 |
2+6 |
1+7 |
Z |
= |
8 |
- |
|
ZEUS |
|
|
8 |
- |
- |
- |
- |
|
- |
1+4 |
1+4 |
- |
Z |
= |
8 |
- |
|
ZEUS |
5 |
8 |
|
- |
- |
- |
|
- |
ZEUS |
|
|
|
- |
- |
- |
- |
1 |
Z |
26 |
8 |
8 |
- |
- |
- |
- |
3 |
E+U+S |
45 |
9 |
9 |
Z |
= |
8 |
- |
4 |
ZEUS |
|
|
|
- |
- |
- |
- |
|
- |
- |
- |
|
- |
|
|
|
- |
MNEMOSYNE |
|
|
|
- |
- |
- |
- |
2 |
M+N |
27 |
9 |
9 |
- |
- |
- |
- |
2 |
E+M |
18 |
9 |
9 |
- |
- |
- |
- |
1 |
O |
15 |
6 |
6 |
- |
- |
- |
- |
4 |
S+Y+N+E |
63 |
18 |
9 |
M |
= |
4 |
- |
9 |
MNEMOSYNE |
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
First Total |
|
|
|
- |
- |
1+2 |
|
1+3 |
Add to Reduce |
1+9+4 |
5+9 |
5+0 |
- |
- |
3 |
- |
4 |
Second Total |
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+4 |
1+4 |
|
- |
- |
|
- |
|
Essence of Number |
5 |
5 |
|
|
= |
2 |
|
3 |
|
33 |
|
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
1 |
|
3 |
3 |
3 |
|
|
|
|
2 |
H+S |
27 |
18 |
9 |
|
|
|
|
1 |
R |
18 |
9 |
9 |
|
|
|
|
1 |
I |
9 |
9 |
9 |
|
|
|
|
3 |
T+O+S |
54 |
9 |
9 |
C |
= |
3 |
|
8 |
|
111 |
48 |
30 |
|
|
|
|
|
|
|
|
|
|
|
5 |
|
|
Add to Reduce |
|
|
|
|
|
|
|
1+1 |
Reduce to Deduce |
1+1+4 |
3+6 |
4+5 |
|
|
|
|
|
Essence of Number |
|
|
|
I |
= |
2 |
- |
1 |
I |
9 |
9 |
9 |
T |
= |
2 |
- |
4 |
THAT |
49 |
13 |
4 |
A |
= |
1 |
- |
2 |
AM |
14 |
5 |
5 |
A |
= |
1 |
- |
2 |
AT |
21 |
3 |
3 |
M |
= |
4 |
- |
4 |
MAAT |
35 |
8 |
8 |
A |
= |
1 |
- |
2 |
AM |
14 |
5 |
5 |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
|
|
|
Add to Reduce |
|
|
|
- |
- |
1+6 |
- |
1+6 |
Reduce to Deduce |
1+1+4 |
3+6 |
4+5 |
- |
- |
4 |
|
4 |
Essence of Number |
|
9 |
9 |
JESUS AND THE GODDESS
THE SECRET TEACHINGS OF THE ORIGINAL CHRISTIANS
Timothy Freke & Peter Gandy 2001
Page 23
The Exodus Allegory
Like the Jews in Exodus, in the gospel story Jesus is called out of Egypt, where he has been hiding, like the soul within the body. The Gospel of Matthew explains that this is to fulfill the prophecy 'Out of Egypt I have called my son.'48 Here. as elsewhere in the gospels, we should read 'fulfil the prophecy' as a coded reference to the source of the symbolic motif and intended allegorical meaning.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
56 |
11 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
73 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
|
4 |
|
36 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
37 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
38 |
11 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
48 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+2 |
|
2+6 |
Add to Reduce |
3+1+8 |
1+2+0 |
3+0 |
|
|
|
|
|
|
|
|
|
1+8 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
56 |
11 |
|
|
|
|
|
|
|
|
|
|
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
5 |
|
73 |
28 |
|
|
|
|
|
|
|
|
9 |
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
8 |
|
4 |
|
36 |
18 |
|
|
|
|
|
|
|
|
|
|
6 |
|
37 |
19 |
|
|
|
|
|
|
|
|
|
|
2 |
|
38 |
11 |
|
|
|
|
|
|
|
|
|
|
3 |
|
48 |
12 |
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
4+2 |
|
2+6 |
Add to Reduce |
3+1+8 |
1+2+0 |
3+0 |
|
|
|
|
1+8 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
ADVENT 1160 ADVENT
OSIRIS ISIS ISISOSIRIS
EGYPT O EGYPT
FOR YOU WE THOUGHT AND DIED
THIS IS THE SCENE OF THE SCENE UNSEEN
THE UNSEEN SEEN OF THE SCENE UNSEEN THIS IS THE SCENE
NETERS TEN NET ENTERS
3 |
THE |
33 |
15 |
6 |
4 |
MIND |
40 |
22 |
4 |
2 |
OF |
21 |
12 |
3 |
9 |
HUMANKIND |
95 |
41 |
5 |
18 |
First Total |
|
|
|
1+8 |
Add to Reduce |
1+8+9 |
9+0 |
1+8 |
9 |
Second Total |
|
|
|
|
Reduce to Deduce |
1+8 |
- |
- |
|
Essence of Number |
|
|
|
ESOTERIC O SECRET I ESOTERIC
ESOTERIC 6 SECRET 9 ESOTERIC
ESOTERIC O SECRET I ESOTERIC
XIPE TOTEC
I
THE FLAYED ONE
T |
2 |
- |
|
THREES |
- |
- |
- |
- |
- |
- |
1 |
T |
20 |
2 |
2 |
- |
- |
- |
1 |
H |
8 |
8 |
8 |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
1 |
S |
19 |
10 |
1 |
T |
2 |
- |
|
THREES |
|
|
|
- |
- |
- |
- |
- |
7+5 |
3+9 |
3+0 |
T |
2 |
- |
|
THREES |
|
|
|
- |
- |
- |
|
- |
1+2 |
1+2 |
|
T |
2 |
- |
|
THREES |
|
|
|
LOOK AT THE THREES LOOK AT THE THREES LOOK AT THE THREES THE THREES THE THREES
HOLY BIBLE
JEREMIAH
SCOFIELD REFERENCES
Page 809
Chapter 33 Verse 3
3 Call unto me, and I will answer thee, and shew thee great and mighty things, which thou knowest not.
- |
|
- |
- |
- |
- |
|
HOLY BIBLE |
- |
|
- |
- |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
C |
|
Verse |
- |
3 |
- |
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
|
- |
- |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
C |
= |
3 |
- |
- |
- |
4 |
CALL |
28 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
U |
= |
3 |
- |
- |
- |
4 |
UNTO |
70 |
16 |
7 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
M |
= |
4 |
- |
- |
- |
2 |
ME |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
A |
= |
1 |
- |
- |
- |
3 |
AND |
19 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
I |
= |
9 |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
W |
= |
5 |
- |
- |
- |
4 |
WILL |
56 |
20 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
A |
= |
1 |
- |
- |
- |
6 |
ANSWER |
80 |
26 |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
T |
= |
2 |
- |
- |
- |
4 |
THEE |
38 |
20 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
28 |
|
|
|
28 |
First Total |
318 |
120 |
39 |
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
A |
= |
1 |
- |
- |
- |
3 |
AND |
19 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
S |
= |
1 |
- |
- |
- |
4 |
SHEW |
55 |
19 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
T |
= |
2 |
- |
- |
- |
4 |
THEE |
38 |
20 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
G |
= |
7 |
- |
- |
- |
5 |
GREAT |
51 |
24 |
6 |
- |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
A |
= |
1 |
- |
- |
- |
3 |
AND |
19 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
M |
= |
4 |
- |
- |
- |
6 |
MIGHTY |
82 |
37 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
T |
= |
2 |
- |
- |
- |
6 |
THINGS |
77 |
32 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
- |
- |
- |
- |
18 |
|
|
|
31 |
First Total |
341 |
152 |
17 |
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
- |
|
- |
- |
- |
- |
|
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
W |
= |
5 |
- |
- |
- |
5 |
WHICH |
51 |
33 |
6 |
- |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
T |
= |
2 |
- |
- |
- |
4 |
THOU |
64 |
19 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
K |
= |
2 |
- |
- |
- |
7 |
KNOWEST |
107 |
26 |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
N |
= |
5 |
- |
- |
- |
3 |
NOT |
49 |
13 |
4 |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
- |
- |
14 |
|
|
|
19 |
First Total |
271 |
91 |
19 |
|
1 |
6 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
- |
|
- |
- |
- |
- |
|
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
60 |
|
|
|
78 |
First Total |
|
|
75 |
|
7 |
6 |
3 |
4 |
5 |
12 |
7 |
16 |
18 |
- |
- |
6+0 |
|
|
|
7+8 |
Add to Reduce |
9+3+0 |
3+6+3 |
7+5 |
|
- |
- |
- |
- |
- |
1+2 |
- |
1+6 |
1+8 |
Q |
- |
6 |
|
|
|
15 |
Second Total |
12 |
12 |
12 |
|
7 |
6 |
3 |
4 |
5 |
3 |
7 |
7 |
9 |
- |
- |
- |
|
|
|
1+5 |
Reduce to Deduce |
1+2 |
1+2 |
1+2 |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
6 |
Essence of Number |
3 |
3 |
3 |
|
7 |
6 |
3 |
4 |
5 |
3 |
7 |
7 |
9 |
- |
|
- |
- |
- |
- |
|
HOLY BIBLE |
- |
|
- |
- |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
C |
|
Verse |
- |
3 |
- |
|
|
|
|
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
|
- |
- |
|
- |
- |
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
C |
= |
3 |
- |
- |
- |
4 |
CALL |
28 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
U |
= |
3 |
- |
- |
- |
4 |
UNTO |
70 |
16 |
7 |
- |
- |
- |
- |
- |
- |
- |
7 |
- |
- |
M |
= |
4 |
- |
- |
- |
2 |
ME |
18 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
A |
= |
1 |
- |
- |
- |
3 |
AND |
19 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
I |
= |
9 |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
9 |
W |
= |
5 |
- |
- |
- |
4 |
WILL |
56 |
20 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
A |
= |
1 |
- |
- |
- |
6 |
ANSWER |
80 |
26 |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
T |
= |
2 |
- |
- |
- |
4 |
THEE |
38 |
20 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
A |
= |
1 |
- |
- |
- |
3 |
AND |
19 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
S |
= |
1 |
- |
- |
- |
4 |
SHEW |
55 |
19 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
T |
= |
2 |
- |
- |
- |
4 |
THEE |
38 |
20 |
2 |
- |
- |
2 |
- |
- |
- |
- |
- |
- |
- |
G |
= |
7 |
- |
- |
- |
5 |
GREAT |
51 |
24 |
6 |
- |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
A |
= |
1 |
- |
- |
- |
3 |
AND |
19 |
10 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
M |
= |
4 |
- |
- |
- |
6 |
MIGHTY |
82 |
37 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
T |
= |
2 |
- |
- |
- |
6 |
THINGS |
77 |
32 |
5 |
- |
- |
- |
- |
- |
5 |
- |
- |
- |
- |
W |
= |
5 |
- |
- |
- |
5 |
WHICH |
51 |
33 |
6 |
- |
- |
- |
- |
- |
- |
6 |
- |
- |
- |
T |
= |
2 |
- |
- |
- |
4 |
THOU |
64 |
19 |
1 |
- |
1 |
- |
- |
- |
- |
- |
- |
- |
- |
K |
= |
2 |
- |
- |
- |
7 |
KNOWEST |
107 |
26 |
8 |
- |
- |
- |
- |
- |
- |
- |
- |
8 |
- |
N |
= |
5 |
- |
- |
- |
3 |
NOT |
49 |
13 |
4 |
- |
- |
- |
- |
4 |
- |
- |
- |
- |
- |
- |
- |
60 |
|
|
|
78 |
First Total |
|
|
75 |
|
7 |
6 |
3 |
4 |
5 |
12 |
7 |
16 |
18 |
- |
- |
6+0 |
|
|
|
7+8 |
Add to Reduce |
9+3+0 |
3+6+3 |
7+5 |
|
- |
- |
- |
- |
- |
1+2 |
- |
1+6 |
1+8 |
Q |
- |
6 |
|
|
|
15 |
Second Total |
12 |
12 |
12 |
|
7 |
6 |
3 |
4 |
5 |
3 |
7 |
7 |
9 |
- |
- |
- |
|
|
|
1+5 |
Reduce to Deduce |
1+2 |
1+2 |
1+2 |
|
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
6 |
Essence of Number |
3 |
3 |
3 |
|
7 |
6 |
3 |
4 |
5 |
3 |
7 |
7 |
9 |
LOOK AT THE THREES LOOK AT THE THREES LOOK AT THE THREES THE THREES THE THREES
- |
|
- |
- |
- |
- |
|
HOLY BIBLE |
- |
|
- |
C |
|
Verse |
- |
3 |
- |
|
|
|
|
|
- |
|
- |
- |
- |
- |
|
- |
- |
|
- |
- |
|
- |
- |
- |
- |
|
- |
- |
|
- |
C |
= |
3 |
- |
- |
- |
4 |
CALL |
28 |
10 |
1 |
U |
= |
3 |
- |
- |
- |
4 |
UNTO |
70 |
16 |
7 |
M |
= |
4 |
- |
- |
- |
2 |
ME |
18 |
9 |
9 |
A |
= |
1 |
- |
- |
- |
3 |
AND |
19 |
10 |
1 |
I |
= |
9 |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
W |
= |
5 |
- |
- |
- |
4 |
WILL |
56 |
20 |
2 |
A |
= |
1 |
- |
- |
- |
6 |
ANSWER |
80 |
26 |
8 |
T |
= |
2 |
- |
- |
- |
4 |
THEE |
38 |
20 |
2 |
- |
- |
28 |
|
|
|
28 |
First Total |
318 |
120 |
39 |
- |
|
- |
- |
- |
- |
|
- |
- |
- |
- |
A |
= |
1 |
- |
- |
- |
3 |
AND |
19 |
10 |
1 |
S |
= |
1 |
- |
- |
- |
4 |
SHEW |
55 |
19 |
1 |
T |
= |
2 |
- |
- |
- |
4 |
THEE |
38 |
20 |
2 |
G |
= |
7 |
- |
- |
- |
5 |
GREAT |
51 |
24 |
6 |
A |
= |
1 |
- |
- |
- |
3 |
AND |
19 |
10 |
1 |
M |
= |
4 |
- |
- |
- |
6 |
MIGHTY |
82 |
37 |
1 |
T |
= |
2 |
- |
- |
- |
6 |
THINGS |
77 |
32 |
5 |
- |
- |
18 |
|
|
|
31 |
First Total |
341 |
152 |
17 |
- |
|
- |
- |
- |
- |
|
- |
- |
|
- |
W |
= |
5 |
- |
- |
- |
5 |
WHICH |
51 |
33 |
6 |
T |
= |
2 |
- |
- |
- |
4 |
THOU |
64 |
19 |
1 |
K |
= |
2 |
- |
- |
- |
7 |
KNOWEST |
107 |
26 |
8 |
N |
= |
5 |
- |
- |
- |
3 |
NOT |
49 |
13 |
4 |
- |
- |
14 |
|
|
|
19 |
First Total |
271 |
91 |
19 |
- |
|
- |
- |
- |
- |
|
- |
- |
|
- |
- |
- |
60 |
|
|
|
78 |
First Total |
|
|
75 |
- |
- |
6+0 |
|
|
|
7+8 |
Add to Reduce |
9+3+0 |
3+6+3 |
7+5 |
Q |
- |
6 |
|
|
|
15 |
Second Total |
12 |
12 |
12 |
- |
- |
- |
|
|
|
1+5 |
Reduce to Deduce |
1+2 |
1+2 |
1+2 |
- |
- |
|
|
|
|
6 |
Essence of Number |
3 |
3 |
3 |
- |
|
- |
- |
- |
- |
|
HOLY BIBLE |
- |
|
- |
C |
|
Verse |
- |
3 |
- |
|
|
|
|
|
- |
|
- |
- |
- |
- |
|
- |
- |
|
- |
- |
|
- |
- |
- |
- |
|
- |
- |
|
- |
C |
= |
3 |
- |
- |
- |
4 |
CALL |
28 |
10 |
1 |
U |
= |
3 |
- |
- |
- |
4 |
UNTO |
70 |
16 |
7 |
M |
= |
4 |
- |
- |
- |
2 |
ME |
18 |
9 |
9 |
A |
= |
1 |
- |
- |
- |
3 |
AND |
19 |
10 |
1 |
I |
= |
9 |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
W |
= |
5 |
- |
- |
- |
4 |
WILL |
56 |
20 |
2 |
A |
= |
1 |
- |
- |
- |
6 |
ANSWER |
80 |
26 |
8 |
T |
= |
2 |
- |
- |
- |
4 |
THEE |
38 |
20 |
2 |
A |
= |
1 |
- |
- |
- |
3 |
AND |
19 |
10 |
1 |
S |
= |
1 |
- |
- |
- |
4 |
SHEW |
55 |
19 |
1 |
T |
= |
2 |
- |
- |
- |
4 |
THEE |
38 |
20 |
2 |
G |
= |
7 |
- |
- |
- |
5 |
GREAT |
51 |
24 |
6 |
A |
= |
1 |
- |
- |
- |
3 |
AND |
19 |
10 |
1 |
M |
= |
4 |
- |
- |
- |
6 |
MIGHTY |
82 |
37 |
1 |
T |
= |
2 |
- |
- |
- |
6 |
THINGS |
77 |
32 |
5 |
W |
= |
5 |
- |
- |
- |
5 |
WHICH |
51 |
33 |
6 |
T |
= |
2 |
- |
- |
- |
4 |
THOU |
64 |
19 |
1 |
K |
= |
2 |
- |
- |
- |
7 |
KNOWEST |
107 |
26 |
8 |
N |
= |
5 |
- |
- |
- |
3 |
NOT |
49 |
13 |
4 |
- |
- |
60 |
|
|
|
78 |
First Total |
|
|
75 |
- |
- |
6+0 |
|
|
|
7+8 |
Add to Reduce |
9+3+0 |
3+6+3 |
7+5 |
Q |
- |
6 |
|
|
|
15 |
Second Total |
12 |
12 |
12 |
- |
- |
- |
|
|
|
1+5 |
Reduce to Deduce |
1+2 |
1+2 |
1+2 |
- |
- |
|
|
|
|
6 |
Essence of Number |
3 |
3 |
3 |
LOOK AT THE THREES LOOK AT THE THREES LOOK AT THE THREES THE THREES THE THREES
T |
2 |
- |
|
THREES |
- |
- |
- |
- |
- |
- |
1 |
T |
20 |
2 |
2 |
- |
- |
- |
1 |
H |
8 |
8 |
8 |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
1 |
S |
19 |
10 |
1 |
T |
2 |
- |
|
THREES |
|
|
|
- |
- |
- |
- |
- |
7+5 |
3+9 |
3+0 |
T |
2 |
- |
|
THREES |
|
|
|
- |
- |
- |
|
- |
1+2 |
1+2 |
|
T |
2 |
- |
|
THREES |
|
|
|
N |
5 |
- |
- |
NUMBERS |
- |
- |
- |
- |
- |
- |
1 |
S |
19 |
10 |
1 |
- |
- |
- |
1 |
B |
2 |
2 |
2 |
- |
- |
- |
1 |
U |
21 |
3 |
3 |
- |
- |
- |
1 |
M |
13 |
4 |
4 |
- |
- |
- |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
N |
5 |
- |
|
NUMBERS |
|
|
|
- |
- |
- |
- |
- |
9+2 |
3+8 |
2+9 |
N |
5 |
- |
|
NUMBERS |
|
|
|
- |
- |
- |
|
- |
1+1 |
1+1 |
1+1 |
N |
5 |
- |
|
NUMBERS |
|
|
|
N |
5 |
- |
- |
NUMBER |
- |
- |
- |
- |
- |
- |
1 |
B |
2 |
2 |
2 |
- |
- |
- |
1 |
U |
21 |
3 |
3 |
- |
- |
- |
1 |
M |
13 |
4 |
4 |
- |
- |
- |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
N |
5 |
- |
|
NUMBER |
|
|
|
- |
- |
- |
- |
- |
7+3 |
2+8 |
2+8 |
N |
5 |
- |
|
NUMBER |
|
|
|
- |
- |
- |
|
- |
1+0 |
1+0 |
1+0 |
N |
5 |
- |
|
NUMBER |
|
|
|
L |
3 |
- |
- |
LETTERS |
- |
- |
- |
- |
- |
- |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
1 |
T |
20 |
2 |
2 |
- |
- |
- |
1 |
T |
20 |
2 |
2 |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
1 |
S |
19 |
10 |
1 |
L |
3 |
- |
|
LETTERS |
|
|
|
- |
- |
- |
- |
- |
9+9 |
3+6 |
2+7 |
L |
3 |
- |
|
LETTERS |
|
|
|
- |
- |
- |
|
- |
1+8 |
- |
|
L |
3 |
- |
|
LETTERS |
|
|
|
L |
3 |
- |
- |
LETTER |
- |
- |
- |
- |
- |
- |
1 |
L |
12 |
3 |
3 |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
1 |
T |
20 |
2 |
2 |
- |
- |
- |
1 |
T |
20 |
2 |
2 |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
L |
3 |
- |
|
LETTER |
|
|
|
- |
- |
- |
- |
- |
8+0 |
2+6 |
2+6 |
L |
3 |
- |
|
LETTER |
|
|
|
- |
- |
- |
- |
- |
- |
|
- |
- |
- |
- |
- |
- |
- |
|
- |
N |
5 |
- |
- |
NUMBER |
- |
- |
- |
- |
- |
- |
1 |
B |
2 |
2 |
2 |
- |
- |
- |
1 |
U |
21 |
3 |
3 |
- |
- |
- |
1 |
M |
13 |
4 |
4 |
- |
- |
- |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
N |
5 |
- |
|
NUMBER |
|
|
|
- |
- |
- |
- |
- |
7+3 |
2+8 |
2+8 |
N |
5 |
- |
|
NUMBER |
|
|
|
- |
- |
- |
|
- |
1+0 |
1+0 |
1+0 |
N |
5 |
- |
|
NUMBER |
|
|
|
L |
3 |
- |
|
LETTER |
|
|
|
N |
5 |
- |
|
NUMBER |
|
|
|
N |
|
- |
|
Add to Reduce |
|
|
|
- |
1+0 |
- |
1+0 |
Reduce to Deduce |
1+5+3 |
5+4 |
|
N |
|
- |
|
Essence of Number |
|
|
|
OUT OF ZERO COMETH ONE COMETH OUT OF ZERO
- |
- |
- |
- |
WONDERWALL |
- |
- |
- |
W |
5 |
- |
|
WONDER |
|
|
|
W |
5 |
- |
|
WALL |
|
|
|
- |
|
- |
|
WONDERWALL |
|
|
|
- |
1+0 |
- |
1+0 |
- |
1+2+7 |
4+6 |
1+0 |
- |
|
- |
|
WONDERWALL |
|
|
|
- |
- |
- |
- |
- |
1+0 |
1+0 |
- |
- |
1 |
- |
1 |
WONDERWALL |
|
|
1 |
V |
4 |
- |
6 |
VOODOO |
- |
- |
- |
- |
- |
- |
- |
V |
22 |
4 |
|
- |
- |
- |
- |
O |
15 |
6 |
|
- |
- |
- |
- |
O |
15 |
6 |
|
- |
- |
- |
- |
D |
4 |
4 |
|
- |
- |
- |
- |
O |
15 |
6 |
|
- |
- |
- |
- |
O |
15 |
6 |
|
V |
4 |
- |
6 |
VOODOO |
86 |
32 |
32 |
- |
- |
- |
- |
- |
8+6 |
3+2 |
3+2 |
V |
4 |
- |
6 |
VOODOO |
14 |
5 |
5 |
- |
- |
- |
- |
- |
1+4 |
- |
- |
V |
4 |
- |
6 |
VOODOO |
5 |
5 |
5 |
GOD IS OM IS ONE IS OM IS GOD
R |
9 |
- |
- |
RENEW |
- |
- |
- |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
1 |
W |
23 |
5 |
5 |
R |
9 |
- |
|
|
|
|
|
- |
- |
- |
- |
- |
6+5 |
2+9 |
2+9 |
R |
9 |
- |
|
|
|
|
|
- |
- |
- |
- |
- |
1+1 |
1+1 |
1+1 |
R |
9 |
- |
|
|
|
|
|
R |
9 |
- |
- |
RENEWING |
- |
- |
- |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
1 |
W |
23 |
5 |
5 |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
1 |
G |
7 |
7 |
7 |
R |
9 |
- |
|
|
|
|
|
- |
- |
- |
- |
- |
9+5 |
5+0 |
5+0 |
R |
9 |
- |
|
|
|
|
|
- |
- |
- |
- |
- |
1+4 |
- |
- |
R |
9 |
- |
|
|
|
|
|
8 |
CALCULUS |
- |
- |
- |
1 |
C |
3 |
3 |
|
1 |
A |
1 |
1 |
|
1 |
L |
12 |
3 |
3 |
1 |
C |
3 |
3 |
3 |
1 |
U |
21 |
3 |
3 |
1 |
L |
12 |
3 |
3 |
1 |
U |
21 |
3 |
3 |
1 |
S |
19 |
10 |
|
8 |
CALCULUS |
92 |
29 |
20 |
- |
- |
9+2 |
2+9 |
2+0 |
8 |
CALCULUS |
11 |
11 |
2 |
- |
- |
1+1 |
1+1 |
- |
5 |
CALCULUS |
2 |
2 |
2 |
SEVEN EVENS SEVEN
EVEN SEVEN EVEN SO
SEVEN EVENS SEVEN
S |
1 |
- |
- |
SEVEN |
- |
- |
- |
- |
- |
- |
2 |
S+V |
41 |
14 |
5 |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
|
SEVEN |
|
|
|
- |
- |
- |
- |
- |
6+5 |
2+9 |
- |
- |
- |
- |
|
SEVEN |
|
|
|
- |
- |
- |
|
- |
1+1 |
1+1 |
- |
- |
- |
- |
|
SEVEN |
|
|
|
HEAVEN IM IN HEAVEN
EVEN HA HEAVEN EVEN
S |
1 |
- |
- |
HEAVEN |
- |
- |
- |
- |
- |
- |
1 |
H |
8 |
8 |
8 |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
2 |
A+V |
23 |
5 |
5 |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
|
HEAVEN |
|
|
|
- |
- |
- |
- |
- |
5+5 |
2+8 |
2+8 |
- |
- |
- |
|
HEAVEN |
|
|
|
- |
- |
- |
|
- |
1+0 |
1+0 |
1+0 |
- |
- |
- |
|
HEAVEN |
|
|
|
HEAVEN E HAVE N HEAVEN
HEAVEN 5 HAVE 5 HEAVEN
HEAVEN N HAVE E HEAVEN
S |
1 |
- |
- |
HEAVEN |
- |
- |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
4 |
H+A+V+E |
36 |
18 |
9 |
- |
- |
- |
1 |
N |
14 |
5 |
5 |
- |
- |
- |
|
HEAVEN |
|
|
|
- |
- |
- |
- |
- |
5+5 |
2+8 |
2+8 |
- |
- |
- |
|
HEAVEN |
|
|
|
- |
- |
- |
|
- |
1+0 |
1+0 |
1+0 |
- |
- |
- |
|
HEAVEN |
|
|
|
HEAVEN HA EVEN HA HEAVEN
HEAVEN 81 EVEN 81 HEAVEN
HEAVEN 9 EVEN 9 HEAVEN
HEAVEN 81 EVEN 81 HEAVEN
HEAVEN HA EVEN HA HEAVEN
H |
= |
8 |
- |
2 |
HE |
13 |
13 |
4 |
H |
= |
8 |
- |
4 |
HATH |
37 |
19 |
1 |
M |
= |
4 |
- |
4 |
MADE |
23 |
14 |
5 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
B |
= |
2 |
- |
5 |
BLOOD |
48 |
21 |
3 |
A |
= |
1 |
- |
3 |
ALL |
25 |
7 |
7 |
N |
= |
5 |
- |
7 |
NATIONS |
92 |
29 |
2 |
- |
- |
40 |
- |
30 |
First Total |
|
|
|
- |
- |
4+0 |
- |
3+0 |
Add to Reduce |
2+9+3 |
1+3+1 |
3+2 |
- |
- |
4 |
- |
3 |
Second Total |
|
|
|
- |
- |
|
- |
|
Reduce to Deduce |
1+4 |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
NATION SHALL SPEAK PEACE UNTO NATION
G |
= |
7 |
- |
3 |
GOD |
26 |
17 |
8 |
H |
= |
8 |
- |
4 |
HATH |
37 |
19 |
1 |
M |
= |
4 |
- |
4 |
MADE |
23 |
14 |
5 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
O |
= |
6 |
- |
3 |
ONE |
34 |
16 |
7 |
B |
= |
2 |
- |
5 |
BLOOD |
48 |
21 |
3 |
A |
= |
1 |
- |
3 |
ALL |
25 |
7 |
7 |
N |
= |
5 |
- |
7 |
NATIONS |
92 |
29 |
2 |
- |
- |
39 |
- |
31 |
First Total |
|
|
|
- |
- |
3+9 |
- |
3+1 |
Add to Reduce |
3+0+6 |
1+3+5 |
3+6 |
- |
- |
12 |
- |
4 |
Second Total |
|
|
|
- |
- |
1+2 |
- |
|
Reduce to Deduce |
- |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
LOOK ABROAD THROUGH NATURES RANGE NATURES MIGHTY LAW IS CHANGE
6 |
DIVINE |
63 |
36 |
9 |
10 |
DIVINATION |
117 |
54 |
9 |
7 |
DIVINER |
81 |
45 |
9 |
6 |
ORACLE |
54 |
27 |
9 |
8 |
OMPHALOS |
99 |
36 |
9 |
Middle Eastern Mythology
S. H. Hooke 1963
Page 111/112
Hebrew Mythology
"Next, and again out of the soil, Yahweh moulds animals and birds, to see if they may provide a help for the man, but since the man recognizes none of these as suitable for this purpose, Yahweh causes a magic sleep (the Hebrew /word tardemah indicates a supernatural sleep; compare Gen. 15:12) to overwhelm the man, and takes out a 'rib' (the Hebrew word also means 'side' and 'builds' it into a woman as his counterpoint, and in 3:20 gives her the name Hawwah, Eve, which means 'life'. The other apellation given to her in 2:3, Ishshah, is not a proper name but the usual Hebrew word for 'wife', the feminine of 'ish, man, or husband (cf. Hos. 2:16).
- |
- |
- |
- |
- |
ISHSHAH |
- |
- |
- |
- |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
2 |
S+H |
27 |
18 |
9 |
- |
- |
- |
- |
2 |
S+H |
27 |
18 |
9 |
- |
- |
- |
- |
2 |
A+H |
9 |
9 |
9 |
I |
= |
9 |
- |
6 |
ISHSHAH |
72 |
63 |
28 |
- |
- |
- |
- |
- |
- |
7+2 |
6+3 |
2+8 |
I |
= |
9 |
|
6 |
ISHSHAH |
9 |
9 |
9 |
- |
- |
- |
- |
- |
EVE |
- |
- |
- |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
V |
22 |
4 |
4 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
E |
= |
5 |
- |
3 |
EVE |
32 |
14 |
14 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
HAWWAH |
- |
- |
- |
- |
- |
- |
- |
2 |
H+A |
9 |
9 |
9 |
- |
- |
- |
- |
1 |
W |
23 |
5 |
5 |
- |
- |
- |
- |
1 |
W |
23 |
5 |
5 |
- |
- |
- |
- |
2 |
A+H |
9 |
9 |
9 |
H |
= |
8 |
- |
6 |
HAWWAH |
64 |
28 |
28 |
- |
- |
- |
- |
- |
- |
6+4 |
2+8 |
2+8 |
- |
- |
|
|
6 |
HAWWAH |
10 |
10 |
10 |
- |
- |
1+3 |
- |
- |
- |
1+0 |
1+0 |
1+0 |
- |
- |
4 |
|
6 |
HAWWAH |
1 |
1 |
1 |
- |
- |
- |
- |
- |
HAWWAH |
- |
- |
- |
- |
- |
- |
- |
2 |
H+A |
9 |
9 |
9 |
- |
- |
- |
- |
1 |
W |
23 |
5 |
5 |
- |
- |
- |
- |
1 |
W |
23 |
5 |
5 |
- |
- |
- |
- |
2 |
A+H |
9 |
9 |
9 |
H |
= |
8 |
- |
6 |
HAWWAH |
64 |
28 |
28 |
- |
- |
- |
- |
- |
- |
6+4 |
2+8 |
2+8 |
- |
- |
|
|
6 |
HAWWAH |
10 |
10 |
10 |
- |
- |
1+3 |
- |
- |
- |
1+0 |
1+0 |
1+0 |
- |
- |
4 |
|
6 |
HAWWAH |
1 |
1 |
1 |
- |
- |
- |
- |
- |
EVE |
- |
- |
- |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
- |
- |
- |
- |
1 |
V |
22 |
4 |
4 |
- |
- |
- |
- |
1 |
E |
5 |
5 |
5 |
E |
= |
5 |
- |
3 |
EVE |
32 |
14 |
14 |
- |
- |
- |
- |
- |
- |
3+2 |
1+4 |
1+4 |
E |
= |
5 |
|
6 |
EVE |
5 |
5 |
5 |
SEVEN EVENS SEVEN
THE VOYAGE OF THE DAWNTREADER
C. S. Lewis 1952
Page 155
CHAPTER FOURTEEN
THE BEGINNING OF THE END OF THE WORLD
But Lucy, looking out from between the wings of the birds that covered her, saw one bird fly to the Old Man with something in its beak that looked like a little fruit, unless it was a little live coal, which it might have been, for it was too bright to look at. And the bird laid it in the Old Man's mouth.
Page 159
"When I set for the last time, decrepit and old beyond all that you can reckon, I was carried to this island. I am not so old now as I was then. Every morning a bird brings me a fire-berry from the valleys in the Sun, and each fire-berry takes away a little of my age. And when 1 have become as young as the child that was born yesterday, then I shall take my rising again (for we are at earth's eastern rim) and once more tread the great dance."
THE RIVER GOD
Wilbur Smith 1993
Page 47
"If I had known then how close my words would turn out to being the truth, I think I should have placed a live coal on my tongue before I spoke them."
HOLY BIBLE
Scofield References
Page 922
ISAIAH
C 6 V 6
6
Then flew one of the seraphims unto me, having a live coal in his hand, which he had taken with the tongs from off the altar:
7
And he laid it upon my mouth, and said, Lo, this hath touched thy lips; and thine iniquity is taken away, and thy sin purged.
GREAT PHILOSOPHIES OF THE EAST
E. W. F. Tomlin 1952
Page 159
"Like the conpilers of the Old Testament: the editors of the Rig-Veda anthology were,careful to preserve intact material beloning to different epochs, We are thus able to trace the development of the early Aryan, religious consciousness , just as a reading of early and later parts of the Bible affords us an enlarged conception of the nature of the Hebrew Yahve. There is wisdom in this refusal on the part of priestly guardians to suppress the primitive elements of their faith; for these are better kept well before the eye than allowed to fester, as the result of exision, in that uneasy corner to be found in the most devout conscience. Some of the vedic hymns are merely satirical, such as that addressed 'To Frogs', which is considered to be a satire on the priesthood; or straightforward vers de societe- such as that on the 'The Gambler', of whose ('dice dearer than soma') it is said:
Downward they roll, and then spring quickly upward, and handless, force
The man with hands to serve them.
Cast on the board, like lumps of magic charcoal, though cold themselves, they burn
The heart to ashes."
Daily Mail
Tuesday, April 14, 2009
Page 11
Hand of God
Eye in the sky: The Helix nebula
By Dan Newlin;
(Image omitted)
WE'VE already seen pictures of his eye ... now we have the first image of the hand of God.
The ghostly blue cloud seems to form an outstretched thumb and fingers grasping a burning lump of coal. This astonishing image was taken by Nasa's Chandra X-ray observatory, which is orbiting 360 miles above the Earth's surface.
It recalls those of the Helix planetary nebula, whose blue centre surrounded by white clouds earned it the nickname 'the eye of God'.
The hand was created when a star exploded in a supernova, creating a rapidly-spinning 12-mile-wide star called a pulsar, which is deep inside the white blob at the hand's wrist.
The pulsar is spewing out enormous amounts of electromagnetic energy, creating a dust and gas cloud so wide that it would take a light beam 150 years to cross from side to side.
The red disc is a separate cloud of gas. The fingers are thought to have been created as the energy passed from the pulsar to this gas cloud.
Nasa scientists estimate the moment depicted here actually happened 17,000 years ago. it has taken since then for the X-rays, travelling at 670million mph, to reach Earth.
SIRIUS - www.satanicreds.org
The ancient Egyptians knew just as little about the original meaning of the ...... Arksha means stellar. (Cf CM section, Arkham is a key city in the CM.) ...
www.satanicreds.org/satanicreds/sirius.html
SIRIUS
THE FISH TRADITION -
AND LIGHT TRADITION IN DUALIST THOUGHT-
BOTH SEPARATE FROM THE DARK TRADITION.
"SIRIUS MYSTERY".
The Argo is the constellation depicting the boat of the Argonauts. It has fifty stars, including Canopus. Sirius lies between Argo and Orion. In Greek mythology, the fifty daughters of Danaus, a Pelasgian (i.e., Ural Altaic) were transported from Egypt to Greece (Rhodes) on the Argo. Hercules or Herakles (earlier name) is repeatedly connected with the Sirius lore, as when he lay with these 50 daughters of King Thespius for 50 nights running. Thespius or Thestios means divinely sounding.
A |
1 |
- |
- |
ARGO |
- |
- |
- |
- |
- |
- |
1 |
A |
1 |
1 |
1 |
- |
- |
- |
1 |
R |
18 |
9 |
9 |
- |
- |
- |
1 |
G |
7 |
7 |
7 |
- |
- |
- |
1 |
O |
15 |
6 |
6 |
A |
1 |
- |
|
ARGO |
|
|
|
- |
- |
- |
- |
- |
4+1 |
2+3 |
2+3 |
A |
1 |
- |
|
ARGO |
|
|
|
- |
- |
- |
|
- |
- |
|
|
F |
6 |
- |
|
FOURTEEN |
|
|
|
GOD
Alexander Waugh
Page 162
Einstein's blunder. - When Einstein tried to refute quantum physics with his now famous dictum 'God does not play dice' He revealed his ignorance of scripture, for God does indeed play dice in the form of a game called urim and thummim. These flat stone dice are mentioned many times in the Hebrew Bible. Although urim and thummim actually belonged to God (Ps.-Philo 47:2) they were jealously guarded by the high priest either in his ephod (an oracular pouch) or in a pocket by his chest. The exact manner in which urim and thummim was played has been lost to the mysteries of time, but it is thought they provided the same function as a coin when it is flipped for heads or tails. When Saul wished to establish a question of blame he set up the urim and thummimasking: '"Lord God of Israel, if fault lies-with me or my son Jonathan give urim: if the fault lies with your people Israel, give thummim." Jonathan and Saul were indicated and the people went free. Saul then said: "Cast the lot between me and Jonathan," and Jonathan was indicated' (1 Sam. 14:41-2).
After a while it dawned on the people of Israel that urim and thummim did not always give reliable results (Ps.-Philo 47:2) and so God ceased to be addressed through this medium, probably as early as the seventh century BCE. The whole matter might well have been forgotten had it not been for God lending his urim and thummim nearly two thousand years later to Joseph Smith in order to help the prophet interpret the 'revised Egyptian' squiggles of the Book of Mormon. Smith had to return them to the angel, Moroni, and regrettably failed to make accurate drawings before handing them back. However, in a /Page 163/ bewildering twist, God later informed Smith (2 April 1843) that he (God) was now living inside a giant urim and thummim.
The place where I reside [said God] is a great Urim and Thummim. This earth in its sanctified and immortal state, will be made like unto crystal and will be a Urim and Thummim to the inhabitants who dwell thereon, whereby all things pertaining to an inferior kingdom, or all kingdoms of a lower order, will be manifest to those who dwell on it; and this earth will be Christ's. Then the white stone mentioned in Revelation 2:17, will become a Urim and Thummim to each- individual who receives one, whereby things pertaining to a higher order of kingdoms will be made known. (Doctrine and Covenants, 130:8-10)
And Einstein thought that the cosmological constant was his 'biggest blunder'!
- |
- |
- |
- |
- |
URIM |
- |
- |
- |
|
|
|
|
1 |
|
21 |
3 |
|
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
1 |
|
9 |
9 |
|
|
|
|
|
1 |
|
13 |
4 |
|
U |
= |
3 |
- |
4 |
URIM |
61 |
25 |
25 |
- |
- |
- |
- |
- |
THUMMIM |
- |
- |
- |
|
|
|
|
1 |
|
49 |
13 |
|
|
|
|
|
1 |
|
13 |
4 |
|
|
|
|
|
1 |
|
13 |
4 |
|
|
|
|
|
1 |
|
22 |
13 |
|
T |
= |
2 |
- |
- |
THUMMIM |
97 |
34 |
34 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
5 |
- |
|
First Total |
158 |
59 |
59 |
- |
- |
- |
- |
1+1 |
Add to Reduce |
1+5+8 |
5+9 |
5+9 |
|
|
|
|
|
Second Total |
|
|
|
- |
- |
- |
|
1+1 |
Reduce to Deduce |
1+4 |
1+4 |
1+4 |
|
|
|
|
|
Essence of Number |
|
|
|
6 |
|
|
|
|
- |
Z+O+D |
45 |
18 |
9 |
- |
I |
9 |
9 |
9 |
- |
A+C |
4 |
4 |
4 |
6 |
ZODIAC |
58 |
31 |
22 |
- |
- |
5+8 |
3+1 |
2+2 |
6 |
ZODIAC |
13 |
4 |
4 |
6 |
THIRTEEN |
99 |
45 |
9 |
8 |
|
|
|
|
- |
D+E |
9 |
9 |
9 |
- |
N+D |
18 |
9 |
9 |
- |
E |
5 |
5 |
5 |
- |
R |
18 |
9 |
9 |
- |
A+H |
9 |
9 |
9 |
8 |
DENDERAH |
59 |
41 |
41 |
- |
- |
5+9 |
4+1 |
4+1 |
3 |
- |
|
5 |
5 |
- |
- |
1+4 |
- |
- |
8 |
DENDERAH |
|
5 |
5 |
6 |
ZODIAC |
58 |
31 |
4 |
8 |
DENDERAH |
59 |
41 |
5 |
14 |
Add to Reduce |
|
|
|
1+4 |
Reduce to Deduce |
1+7+1 |
7+2 |
1+8 |
5 |
Essence of Number |
|
|
|
3 |
THE |
33 |
15 |
6 |
6 |
ZODIAC |
58 |
31 |
4 |
2 |
OF |
21 |
12 |
3 |
8 |
DENDERAH |
59 |
41 |
5 |
19 |
First Total |
|
|
|
|
Add to Reduce |
1+7+1 |
9+9 |
1+8 |
10 |
Second Total |
|
|
|
1+0 |
Reduce to Deduce |
- |
1+8 |
- |
1 |
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
56 |
11 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
21 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
5 |
|
73 |
28 |
|
|
|
|
|
|
|
|
|
|
|
|
|
9 |
|
1 |
|
9 |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
8 |
|
4 |
|
36 |
18 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
6 |
|
37 |
19 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2 |
|
38 |
11 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3 |
|
48 |
12 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
First Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4+2 |
|
2+6 |
Add to Reduce |
3+1+8 |
1+2+0 |
3+0 |
|
|
|
|
|
|
|
|
|
1+8 |
|
|
|
|
|
Second Total |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Reduce to Deduce |
1+2 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Essence of Number |
|
|
|
|
|
|
|
|
|
|
|
|
|
L |
= |
3 |
- |
4 |
LOVE |
54 |
18 |
9 |
I |
= |
9 |
- |
2 |
IS |
28 |
19 |
1 |
L |
= |
3 |
- |
5 |
LIGHT |
56 |
29 |
2 |
I |
= |
9 |
- |
2 |
IS |
28 |
19 |
1 |
L |
= |
3 |
- |
4 |
LIFE |
32 |
23 |
5 |
- |
- |
27 |
- |
17 |
First Total |
|
|
|
- |
- |
2+7 |
- |
1+7 |
Add to Reduce |
1+9+8 |
1+0+8 |
1+8 |
- |
- |
9 |
- |
8 |
Second Total |
|
|
|
- |
- |
|
- |
|
Reduce to Deduce |
1+8 |
- |
- |
- |
- |
|
- |
|
Essence of Number |
|
|
|
L |
= |
3 |
- |
4 |
L+O+V+E |
54 |
18 |
9 |
- |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
1 |
S |
19 |
10 |
1 |
L |
= |
3 |
- |
4 |
L+I+F+E |
32 |
23 |
5 |
- |
- |
- |
- |
1 |
I |
9 |
9 |
9 |
- |
- |
- |
- |
1 |
S |
19 |
10 |
1 |
L |
= |
3 |
- |
5 |
L+1+G+H+T |
56 |
29 |
2 |
|
|
|
|
|
First Total |
|
|
|
- |
- |
- |
- |
1+7 |
Add to Reduce |
1+9+8 |
1+0+8 |
3+6 |
|
|
9 |
|
8 |
Second Total |
|
9 |
9 |
- |
- |
- |
- |
- |
Reduce to Deduce |
1+8 |
- |
- |
|
|
9 |
|
8 |
Essence of Number |
|
|
9 |
All You Need is Love
The Beatles
Lennon/McCartney
Love, love, love, love, love, love, love, love, love.
There's nothing you can do that can't be done.
Nothing you can sing that can't be sung.
Nothing you can say but you can learn how to play the game
It's easy.
There's nothing you can make that can't be made.
No one you can save that can't be saved.
Nothing you can do but you can learn how to be you
in time - It's easy.
All you need is love, all you need is love,
All you need is love love, love, love is all you need.
Love, love, love, love, love, love, love, love, love.
All you need is love love, all you need is love,
All you need is love love, love, love is all you need.
There's nothing you can know that isn't known.
Nothing you can see that isn't shown.
Nowhere you can be that isn't where you're meant to be.
It's easy.
All you need is love, all All you need is love,
All All you need is love, love, love is all you need.
All All you need is love (all together now)
All All you need is love (everybody)
All All you need is love, love, love is all you need. All you need is love.
All You Need is 99
The Beatles
Lennon/McCartney
99, 99, 99, 99, 99, 99, 99, 99, 99.
There's nothing you can do that can't be done.
Nothing you can sing that can't be sung.
Nothing you can say but you can learn how to play the game
It's easy.
There's nothing you can make that can't be made.
No one you can save that can't be saved.
Nothing you can do but you can learn how to be you
in time - It's easy.
All you need is 99, all you need is 99,
All you need is 99 99, 99, 99 is all you need.
99, 99, 99, 99, 99, 99, 99, 99, 99.
All you need is 99 99, all you need is 99,
All you need is 99 99, 99, 99 is all you need.
There's nothing you can know that isn't known.
Nothing you can see that isn't shown.
Nowhere you can be that isn't where you're meant to be.
It's easy.
All you need is 99, all All you need is 99,
All All you need is 99 99, 99s all you need.
All All you need is 99 (all together now)
All All you need is 99 everybody)
All All you need is 99, 99, 99 is all you need. All you need is 99.
Love occurs x 42 x occurs Love
+ ALL YOU NEED IS LOVE +
Love occurs x 43 x occurs Love
LOVE EVOLVE EVOLVE LOVE
99 999 999 99
LOVE EVOLVE EVOLVE LOVE
LOVEEVOLVELOVEEVOLVELOVE
9 9 9 9 9 9 9 9 9 9 9 9
LOVEEVOLVELOVEEVOLVELOVE
KRSNA
A.C. Bhaktivedanta
Swami Prabhupada 1996 Edition
Words from George Harrison
Page vii
Hare Krsna, Hare Krsna
Krsna Krsna, Hare Hare
Hare Rama, Hare Rama
Rama Rama, Hare Hare
" ALL YOU NEED IS LOVE (KRISNA). . . "
99e 99, 99e 99
99 99, 99e 99e
99e 9ama,99e 9ama
9ama 9ama, 99e 99e
Hare Krsna, Hare Krsna
Krsna Krsna, Hare Hare
Hare Rama, Hare Rama
Rama Rama, Hare Hare
4 |
LIVE |
48 |
21 |
3 |
1 |
I |
9 |
9 |
9 |
1 |
O |
15 |
6 |
6 |
4 |
LOVE |
54 |
18 |
9 |
10 |
Add to Reduce |
|
|
|
1+0 |
Reduce to Deduce |
1+2+6 |
5+4 |
2+7 |
|
Essence of Number |
|
|
|
|
LOVE |
|
|
- |
2 |
L+O |
27 |
9 |
9 |
2 |
V+E |
27 |
9 |
9 |
4 |
LOVE |
|
|
|
|
- |
5+4 |
1+8 |
1+8 |
4 |
LOVE |
|
|
|
- |
4 |
L |
O |
V |
|
|
|
|
|
|
|
|
- |
- |
- |
|
6 |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
3 |
|
4 |
5 |
|
|
|
|
|
|
|
|
- |
- |
12 |
|
22 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
12 |
15 |
22 |
5 |
|
|
|
|
|
|
|
|
- |
- |
3 |
6 |
4 |
5 |
|
|
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
occurs |
x |
|
= |
3 |
|
|
- |
- |
|
|
|
|
|
occurs |
x |
|
= |
4 |
|
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
5 |
|
|
- |
|
- |
|
|
|
|
occurs |
x |
|
= |
6 |
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
|
|
EIGHT |
8 |
|
|
|
|
|
- |
- |
- |
|
|
|
|
NINE |
9 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+7 |
|
- |
|
|
|
|
|
1+8 |
|
|
|
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
3 |
6 |
4 |
5 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
4 |
L |
O |
V |
|
|
|
|
|
|
|
|
- |
- |
|
6 |
|
|
|
|
|
|
|
|
|
|
- |
|
15 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
3 |
|
4 |
5 |
|
|
|
|
|
|
|
|
- |
12 |
|
22 |
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
12 |
15 |
22 |
5 |
|
|
|
|
|
|
|
|
- |
3 |
6 |
4 |
5 |
|
|
|
|
|
|
|
|
4 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
|
|
|
|
|
occurs |
x |
|
= |
3 |
|
- |
- |
|
|
|
|
|
occurs |
x |
|
= |
4 |
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
5 |
|
- |
|
- |
|
|
|
|
occurs |
x |
|
= |
6 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
1+8 |
|
|
|
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
3 |
6 |
4 |
5 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
|
L+O |
27 |
9 |
9 |
2 |
V+E |
27 |
9 |
9 |
|
LOVE |
|
|
|
- |
|
5+4 |
1+8 |
1+8 |
|
LOVE |
|
|
|
- |
|
|
- |
- |
- |
|
|
- |
- |
- |
EVOLVE |
|
|
|
|
E+V |
27 |
9 |
9 |
|
O+L |
27 |
9 |
9 |
2 |
V+E |
27 |
9 |
9 |
|
EVOLVE |
|
|
|
- |
|
8+1 |
2+7 |
2+7 |
|
EVOLVE |
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
E |
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
6 |
|
|
- |
|
|
6 |
|
|
|
|
|
12 |
1+2 |
|
|
|
|
|
|
- |
- |
|
15 |
|
|
- |
|
|
15 |
|
|
|
|
|
|
3+0 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
E |
|
|
|
|
|
|
|
- |
|
|
- |
- |
3 |
|
4 |
5 |
- |
5 |
4 |
|
3 |
4 |
5 |
|
|
|
3+3 |
|
|
|
|
|
|
- |
- |
12 |
|
22 |
5 |
- |
5 |
22 |
|
12 |
22 |
5 |
|
|
|
1+0+5 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
E |
|
|
|
|
|
|
|
- |
|
|
- |
- |
12 |
15 |
22 |
5 |
- |
5 |
22 |
15 |
12 |
22 |
5 |
|
|
|
1+3+5 |
|
|
|
|
|
|
- |
- |
3 |
6 |
4 |
5 |
- |
5 |
4 |
6 |
3 |
4 |
5 |
|
|
|
4+5 |
|
|
|
|
|
|
|
10 |
|
|
|
|
- |
|
|
|
|
|
|
|
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|
|
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|
|
- |
|
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
- |
- |
- |
|
|
|
|
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|
|
|
|
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|
|
|
|
|
- |
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
12 |
1+2 |
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
15 |
1+5 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
12 |
1+2 |
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
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|
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|
- |
- |
- |
|
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|
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|
EIGHT |
8 |
|
|
|
|
|
|
|
- |
- |
- |
|
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|
|
|
|
|
NINE |
9 |
|
- |
|
- |
|
|
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|
|
- |
|
|
|
|
|
|
|
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|
|
2+7 |
1+0 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
1+8 |
|
|
1+0 |
|
4+5 |
|
1+8 |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
3 |
6 |
4 |
5 |
- |
5 |
4 |
6 |
3 |
4 |
5 |
|
|
|
|
|
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|
- |
|
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- |
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- |
|
|
|
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|
E |
|
|
|
|
|
|
|
- |
- |
|
- |
|
6 |
|
|
- |
|
|
6 |
|
|
|
|
|
|
1+2 |
|
|
|
|
|
|
- |
|
15 |
|
|
- |
|
|
15 |
|
|
|
|
|
|
3+0 |
|
|
|
|
|
|
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|
- |
|
|
|
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|
E |
|
|
|
|
|
|
|
- |
|
|
- |
3 |
|
4 |
5 |
- |
5 |
4 |
|
3 |
4 |
5 |
|
|
|
3+3 |
|
|
|
|
|
|
- |
12 |
|
22 |
5 |
- |
5 |
22 |
|
12 |
22 |
5 |
|
|
|
1+0+5 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
E |
|
|
|
|
|
|
|
- |
|
|
- |
12 |
15 |
22 |
5 |
- |
5 |
22 |
15 |
12 |
22 |
5 |
|
|
|
1+3+5 |
|
|
|
|
|
|
- |
3 |
6 |
4 |
5 |
- |
5 |
4 |
6 |
3 |
4 |
5 |
|
|
|
4+5 |
|
|
|
|
|
|
10 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
12 |
1+2 |
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
15 |
1+5 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
12 |
1+2 |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
1+8 |
|
|
1+0 |
|
4+5 |
|
1+8 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
3 |
6 |
4 |
5 |
- |
5 |
4 |
6 |
3 |
4 |
5 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
- |
|
|
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|
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|
|
|
|
- |
|
|
|
|
|
E |
|
|
|
|
|
|
|
- |
- |
|
- |
|
6 |
|
|
- |
|
|
6 |
|
|
|
|
|
|
1+2 |
|
|
|
|
|
|
- |
|
15 |
|
|
- |
|
|
15 |
|
|
|
|
|
|
3+0 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
E |
|
|
|
|
|
|
|
- |
|
|
- |
3 |
|
4 |
5 |
- |
5 |
4 |
|
3 |
4 |
5 |
|
|
|
3+3 |
|
|
|
|
|
|
- |
12 |
|
22 |
5 |
- |
5 |
22 |
|
12 |
22 |
5 |
|
|
|
1+0+5 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
E |
|
|
|
|
|
|
|
- |
|
|
- |
12 |
15 |
22 |
5 |
- |
5 |
22 |
15 |
12 |
22 |
5 |
|
|
|
1+3+5 |
|
|
|
|
|
|
- |
3 |
6 |
4 |
5 |
- |
5 |
4 |
6 |
3 |
4 |
5 |
|
|
|
4+5 |
|
|
|
|
|
|
10 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
6 |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
12 |
1+2 |
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
15 |
1+5 |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
12 |
1+2 |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+0 |
- |
|
|
|
|
|
|
|
|
|
|
|
|
1+8 |
|
|
1+0 |
|
4+5 |
|
1+8 |
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
3 |
6 |
4 |
5 |
- |
5 |
4 |
6 |
3 |
4 |
5 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
LOVE EVOLVE LOVE |
- |
- |
- |
4 |
|
54 |
18 |
|
6 |
|
81 |
27 |
|
4 |
|
54 |
18 |
|
10 |
LOVE EVOLVE LOVE |
|
|
|
1+0 |
- |
1+8+9 |
6+3 |
2+7 |
|
|
|
|
|
- |
- |
1+8 |
- |
- |
|
|
|
|
|
- |
LOVE EVOLVE LOVE |
- |
- |
- |
2 |
|
27 |
9 |
|
2 |
|
27 |
9 |
|
2 |
|
27 |
9 |
|
2 |
|
27 |
9 |
|
2 |
|
27 |
9 |
|
2 |
|
27 |
9 |
|
2 |
|
27 |
9 |
|
14 |
LOVE EVOLVE LOVE |
|
|
|
1+4 |
- |
1+8+9 |
6+3 |
6+3 |
|
|
|
|
|
- |
- |
1+8 |
- |
- |
|
|
|
|
|
- |
LOVE EVOLVE LOVE |
- |
- |
- |
- |
LOVE |
- |
- |
- |
2 |
|
27 |
9 |
|
2 |
|
27 |
9 |
|
- |
LOVE |
- |
- |
- |
- |
EVOLVE |
- |
- |
- |
2 |
|
27 |
9 |
|
2 |
|
27 |
9 |
|
2 |
|
27 |
9 |
|
- |
EVOLVE |
- |
- |
- |
- |
LOVE |
- |
- |
- |
2 |
|
27 |
9 |
|
2 |
|
27 |
9 |
|
- |
LOVE |
- |
- |
- |
14 |
LOVE EVOLVE LOVE |
|
|
|
1+4 |
- |
1+8+9 |
4+5 |
4+5 |
|
|
|
|
|
- |
- |
1+8 |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
E |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
6 |
|
|
- |
|
|
6 |
|
|
|
- |
|
6 |
|
|
|
|
|
1+8 |
|
|
|
|
|
|
- |
- |
|
15 |
|
|
- |
|
|
15 |
|
|
|
- |
|
15 |
|
|
|
|
|
4+5 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
E |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
3 |
|
4 |
5 |
- |
5 |
4 |
|
3 |
4 |
5 |
- |
3 |
|
4 |
5 |
|
|
|
4+5 |
|
|
|
|
|
|
- |
- |
12 |
|
22 |
5 |
- |
5 |
22 |
|
12 |
22 |
5 |
- |
12 |
|
22 |
5 |
|
|
|
1+4+4 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
E |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
- |
12 |
15 |
22 |
5 |
- |
5 |
22 |
15 |
12 |
22 |
5 |
- |
12 |
15 |
22 |
5 |
|
|
|
1+8+9 |
|
|
1+8 |
|
|
|
- |
- |
3 |
6 |
4 |
5 |
- |
5 |
4 |
6 |
3 |
4 |
5 |
- |
3 |
6 |
4 |
5 |
|
|
|
6+3 |
|
|
|
|
|
|
|
14 |
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
occurs |
x |
|
= |
9 |
|
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
occurs |
x |
|
= |
16 |
1+6 |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
occurs |
x |
|
= |
20 |
2+0 |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
18 |
1+8 |
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
- |
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+7 |
1+4 |
3 |
6 |
4 |
5 |
- |
5 |
4 |
6 |
3 |
4 |
5 |
- |
3 |
6 |
4 |
5 |
|
|
1+8 |
|
|
1+4 |
|
6+3 |
|
2+7 |
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
E |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
6 |
|
|
- |
|
|
6 |
|
|
|
- |
|
6 |
|
|
|
|
|
1+8 |
|
|
|
|
|
|
- |
|
15 |
|
|
- |
|
|
15 |
|
|
|
- |
|
15 |
|
|
|
|
|
4+5 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
E |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
3 |
|
4 |
5 |
- |
5 |
4 |
|
3 |
4 |
5 |
- |
3 |
|
4 |
5 |
|
|
|
4+5 |
|
|
|
|
|
|
- |
12 |
|
22 |
5 |
- |
5 |
22 |
|
12 |
22 |
5 |
- |
12 |
|
22 |
5 |
|
|
|
1+4+4 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
E |
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
12 |
15 |
22 |
5 |
- |
5 |
22 |
15 |
12 |
22 |
5 |
- |
12 |
15 |
22 |
5 |
|
|
|
1+8+9 |
|
|
1+8 |
|
|
|
- |
3 |
6 |
4 |
5 |
- |
5 |
4 |
6 |
3 |
4 |
5 |
- |
3 |
6 |
4 |
5 |
|
|
|
6+3 |
|
|
|
|
|
|
14 |
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
occurs |
x |
|
= |
9 |
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
occurs |
x |
|
= |
16 |
1+6 |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
occurs |
x |
|
= |
20 |
2+0 |
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
18 |
1+8 |
|
|
|
|
|
|
- |
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
3 |
6 |
4 |
5 |
- |
5 |
4 |
6 |
3 |
4 |
5 |
- |
3 |
6 |
4 |
5 |
|
|
1+8 |
|
|
1+4 |
|
6+3 |
|
2+7 |
|
|
|
|
|
- |
|
|
|
|
|
|
- |
|
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|
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|
|
|
|
|
E |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
- |
|
6 |
|
|
|
|
6 |
|
|
|
|
6 |
|
|
|
|
|
1+8 |
|
|
|
|
|
|
- |
|
15 |
|
|
|
|
15 |
|
|
|
|
15 |
|
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|
|
|
4+5 |
|
|
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|
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|
|
|
|
|
E |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
3 |
|
4 |
5 |
5 |
4 |
|
3 |
4 |
5 |
3 |
|
4 |
5 |
|
|
|
4+5 |
|
|
|
|
|
|
- |
12 |
|
22 |
5 |
5 |
22 |
|
12 |
22 |
5 |
12 |
|
22 |
5 |
|
|
|
1+4+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
E |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
- |
12 |
15 |
22 |
5 |
5 |
22 |
15 |
12 |
22 |
5 |
12 |
15 |
22 |
5 |
|
|
|
1+8+9 |
|
|
1+8 |
|
|
|
- |
3 |
6 |
4 |
5 |
5 |
4 |
6 |
3 |
4 |
5 |
3 |
6 |
4 |
5 |
|
|
|
6+3 |
|
|
|
|
|
|
14 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
occurs |
x |
|
= |
9 |
|
|
|
- |
- |
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
occurs |
x |
|
= |
16 |
1+6 |
|
|
- |
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
|
|
occurs |
x |
|
= |
20 |
2+0 |
|
|
- |
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
occurs |
x |
|
= |
18 |
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
1+4 |
3 |
6 |
4 |
5 |
5 |
4 |
6 |
3 |
4 |
5 |
3 |
6 |
4 |
5 |
|
|
1+8 |
|
|
1+4 |
|
6+3 |
|
2+7 |
|
|
|
|
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|
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|
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|
|
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|
|
|
EVOLVE LOVE LOVE EVOLVE
- |
EVOLVE LOVE LOVE EVOLVE |
- |
- |
- |
- |
EVOLVE |
- |
- |
- |
2 |
|
27 |
9 |
|
2 |
|
27 |
9 |
|
2 |
|
27 |
9 |
|
- |
EVOLVE |
- |
- |
- |
- |
LOVE |
- |
- |
- |
2 |
|
27 |
9 |
|
2 |
|
27 |
9 |
|
- |
LOVE |
- |
- |
- |
- |
LOVE |
- |
- |
- |
2 |
|
27 |
9 |
|
2 |
|
27 |
9 |
|
- |
LOVE |
- |
- |
- |
- |
EVOLVE |
- |
- |
- |
2 |
|
27 |
9 |
|
2 |
|
27 |
9 |
|
2 |
|
27 |
9 |
|
- |
EVOLVE |
- |
- |
- |
20 |
EVOLVE LOVE LOVE EVOLVE |
|
|
|
2+0 |
- |
2+7+0 |
9+0 |
4+5 |
|
|
|
|
|
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
E |
- |
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
E |
|
|
|
|
|
|
|
- |
- |
|
- |
- |
|
|
6 |
|
|
|
- |
|
6 |
|
|
- |
|
6 |
|
|
- |
|
|
6 |
|
|
|
|
|
|
2+4 |
|
|
|
|
|
|
- |
- |
|
|
15 |
|
|
|
- |
|
15 |
|
|
- |
|
15 |
|
|
- |
|
|
15 |
|
|
|
|
|
|
6+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
E |
- |
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
E |
|
|
|
|
|
|
|
- |
|
|
- |
- |
5 |
4 |
|
3 |
4 |
5 |
- |
3 |
|
4 |
5 |
- |
3 |
|
4 |
5 |
- |
5 |
4 |
|
3 |
4 |
5 |
|
|
|
6+6 |
|
|
1+2 |
|
|
|
- |
- |
5 |
22 |
|
12 |
22 |
5 |
- |
12 |
|
22 |
5 |
- |
12 |
|
22 |
5 |
- |
5 |
22 |
|
12 |
22 |
5 |
|
|
|
2+1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
E |
- |
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
E |
|
|
|
|
|
|
|
- |
|
|
- |
- |
5 |
22 |
15 |
12 |
22 |
5 |
- |
12 |
15 |
22 |
5 |
- |
12 |
15 |
22 |
5 |
- |
5 |
22 |
15 |
12 |
22 |
5 |
|
|
|
2+7+0 |
|
|
|
|
|
|
- |
- |
5 |
4 |
6 |
3 |
4 |
5 |
- |
3 |
6 |
4 |
5 |
- |
3 |
6 |
4 |
5 |
- |
5 |
4 |
6 |
3 |
4 |
5 |
|
|
|
9+0 |
|
|
|
|
|
|
|
20 |
|
|
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
12 |
1+2 |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
24 |
2+4 |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
30 |
3+0 |
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
24 |
2+4 |
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
EIGHT |
8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
- |
|
|
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
NINE |
9 |
|
- |
|
- |
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+0 |
|
|
|
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
1+8 |
|
|
2+0 |
|
9+0 |
|
1+8 |
|
|
|
|
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
- |
5 |
4 |
6 |
3 |
4 |
5 |
- |
3 |
6 |
4 |
5 |
- |
3 |
6 |
4 |
5 |
- |
5 |
4 |
6 |
3 |
4 |
5 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
E |
- |
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
E |
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
6 |
|
|
|
- |
|
6 |
|
|
- |
|
6 |
|
|
- |
|
|
6 |
|
|
|
|
|
|
2+4 |
|
|
|
|
|
|
- |
|
|
15 |
|
|
|
- |
|
15 |
|
|
- |
|
15 |
|
|
- |
|
|
15 |
|
|
|
|
|
|
6+0 |
|
|
|
|
|
|
|
|
|
|
|
|
E |
- |
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
E |
|
|
|
|
|
|
|
- |
|
|
- |
5 |
4 |
|
3 |
4 |
5 |
- |
3 |
|
4 |
5 |
- |
3 |
|
4 |
5 |
- |
5 |
4 |
|
3 |
4 |
5 |
|
|
|
6+6 |
|
|
1+2 |
|
|
|
- |
5 |
22 |
|
12 |
22 |
5 |
- |
12 |
|
22 |
5 |
- |
12 |
|
22 |
5 |
- |
5 |
22 |
|
12 |
22 |
5 |
|
|
|
2+1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
E |
- |
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
E |
|
|
|
|
|
|
|
- |
|
|
- |
5 |
22 |
15 |
12 |
22 |
5 |
- |
12 |
15 |
22 |
5 |
- |
12 |
15 |
22 |
5 |
- |
5 |
22 |
15 |
12 |
22 |
5 |
|
|
|
2+7+0 |
|
|
|
|
|
|
- |
5 |
4 |
6 |
3 |
4 |
5 |
- |
3 |
6 |
4 |
5 |
- |
3 |
6 |
4 |
5 |
- |
5 |
4 |
6 |
3 |
4 |
5 |
|
|
|
9+0 |
|
|
|
|
|
|
20 |
|
|
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
12 |
1+2 |
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
24 |
2+4 |
|
|
|
|
|
|
|
|
|
- |
- |
|
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
30 |
3+0 |
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
24 |
2+4 |
|
|
|
|
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+0 |
|
|
|
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
1+8 |
|
|
2+0 |
|
9+0 |
|
1+8 |
|
|
|
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
5 |
4 |
6 |
3 |
4 |
5 |
- |
3 |
6 |
4 |
5 |
- |
3 |
6 |
4 |
5 |
- |
5 |
4 |
6 |
3 |
4 |
5 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
E |
|
|
|
|
|
|
|
|
|
|
|
|
|
E |
|
|
|
|
|
|
|
- |
- |
|
- |
|
|
6 |
|
|
|
|
6 |
|
|
|
6 |
|
|
|
|
6 |
|
|
|
|
|
|
2+4 |
|
|
|
|
|
|
- |
|
|
15 |
|
|
|
|
15 |
|
|
|
15 |
|
|
|
|
15 |
|
|
|
|
|
|
6+0 |
|
|
|
|
|
|
|
|
|
|
|
|
E |
|
|
|
|
|
|
|
|
|
|
|
|
|
E |
|
|
|
|
|
|
|
- |
|
|
- |
5 |
4 |
|
3 |
4 |
5 |
3 |
|
4 |
5 |
3 |
|
4 |
5 |
5 |
4 |
|
3 |
4 |
5 |
|
|
|
6+6 |
|
|
1+2 |
|
|
|
- |
5 |
22 |
|
12 |
22 |
5 |
12 |
|
22 |
5 |
12 |
|
22 |
5 |
5 |
22 |
|
12 |
22 |
5 |
|
|
|
2+1+0 |
|
|
|
|
|
|
|
|
|
|
|
|
E |
|
|
|
|
|
|
|
|
|
|
|
|
|
E |
|
|
|
|
|
|
|
- |
|
|
- |
5 |
22 |
15 |
12 |
22 |
5 |
12 |
15 |
22 |
5 |
12 |
15 |
22 |
5 |
5 |
22 |
15 |
12 |
22 |
5 |
|
|
|
2+7+0 |
|
|
|
|
|
|
- |
5 |
4 |
6 |
3 |
4 |
5 |
3 |
6 |
4 |
5 |
3 |
6 |
4 |
5 |
5 |
4 |
6 |
3 |
4 |
5 |
|
|
|
9+0 |
|
|
|
|
|
|
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
12 |
1+2 |
|
|
|
|
|
|
|
|
- |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
24 |
2+4 |
|
|
|
|
|
|
|
|
- |
- |
|
|
- |
- |
|
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
30 |
3+0 |
|
|
|
|
|
|
|
|
|
|
- |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
occurs |
x |
|
= |
24 |
2+4 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2+0 |
|
|
|
|
|
|
- |
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
1+8 |
|
|
2+0 |
|
9+0 |
|
1+8 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
- |
5 |
4 |
6 |
3 |
4 |
5 |
3 |
6 |
4 |
5 |
3 |
6 |
4 |
5 |
5 |
4 |
6 |
3 |
4 |
5 |
|
|
|
|
|
|
|
- |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
EVOLVE LOVE LOVE EVOLVE
- |
EVOLVE LOVE LOVE EVOLVE |
- |
- |
- |
- |
EVOLVE |
- |
- |
- |
2 |
|
27 |
9 |
|
2 |
|
27 |
9 |
|
2 |
|
27 |
9 |
|
- |
EVOLVE |
- |
- |
- |
- |
LOVE |
- |
- |
- |
2 |
|
27 |
9 |
|
2 |
|
27 |
9 |
|
- |
LOVE |
- |
- |
- |
- |
LOVE |
- |
- |
- |
2 |
|
27 |
9 |
|
2 |
|
27 |
9 |
|
- |
LOVE |
- |
- |
- |
- |
EVOLVE |
- |
- |
- |
2 |
|
27 |
9 |
|
2 |
|
27 |
9 |
|
2 |
|
27 |
9 |
|
- |
EVOLVE |
- |
- |
- |
20 |
EVOLVE LOVE LOVE EVOLVE |
|
|
|
2+0 |
- |
2+7+0 |
9+0 |
4+5 |
|
|
|
|
|
- |
- |
- |
- |
- |
|
|
|
|
|
REVOLVER EVOLVER LOVER
- |
- |
- |
- |
- |
REVOLVER |
- |
- |
- |
|
|
|
|
1 |
|
18 |
9 |
|
|
|
|
|
2 |
|
27 |
9 |
|
|
|
|
|
2 |
|
27 |
9 |
|
|
|
|
|
2 |
|
27 |
9 |
|
|
|
|
|
1 |
|
18 |
9 |
|
L |
= |
3 |
- |
8 |
REVOLVER |
117 |
45 |
45 |
- |
- |
- |
- |
- |
EVOLVER |
- |
- |
- |
|
|
|
|
2 |
|
27 |
9 |
|
|
|
|
|
2 |
|
27 |
9 |
|
|
|
|
|
2 |
|
27 |
9 |
|
|
|
|
|
1 |
|
18 |
9 |
|
R |
= |
9 |
- |
7 |
EVOLVER |
99 |
36 |
36 |
- |
- |
- |
- |
- |
LOVER |
- |
- |
- |
|
|
|
|
2 |
|
27 |
9 |
|
|
|
|
|
2 |
|
27 |
9 |
|
|
|
|
|
1 |
|
18 |
9 |
|
L |
= |
3 |
- |
5 |
LOVER |
72 |
27 |
27 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
|
|
|
|
|
|
|
|
|
|
|
1+5 |
|
2+0 |
- |
2+7+0 |
9+0 |
9+0 |
|
|
|
|
|
|
|
|
|
REVOLVER EVOLVER LOVER
WHY SMASH ATOMS
A. K. Solomon 1940
Page 77
"ONCE THE FAIRY TALE HERO HAS PENETRATED THE RING OF FIRE ROUND
THE MAGIC MOUNTAIN
HE IS FREE TO WOO THE HEROINE IN HER CASTLE ON THE MOUNTAIN TOP"
THE MAGIC MOUNTAIN
Thomas Mann 1875 -1955
Page 466
"HAD NOT THE NORMAL, SINCE TIME WAS, LIVED ON THE ACHIEVEMENTS OF THE ABNORMAL?
MEN CONSCIOUSLY AND VOLUNTARILY DESCENDED INTO DISEASE AND MADNESS, IN SEARCH OF
KNOWLEDGE WHICH ACQUIRED BY FANATICISM, WOULD LEAD BACK TO HEALTH; AFTER THE
POSSESSION AND USE OF IT HAD CEASED TO BE CONDITIONED BY THAT HEROIC AND ABNORMAL
ACT OF SACRIFICE. THAT WAS THE TRUE DEATH ON THE CROSS, THE TRUE ATONEMENT."
AT ONE MENTALLY ME I ME MENTALLY AT ONE
THE DEAD SEA SCROLLS
J. M. Allegro 1956
Page 152
"IN THAT DAY I WILL RAISE UP THE TABERNACLE OF DAVID THAT IS FALLEN"
FINGERPRINTS OF THE GODS
Graham Hancock
1995
Page 411(number omitted)
GODS OF THE FIRST TIME
"According to Heliopolitan theology, the nine original gods who appeared in Egypt in the First Time were Ra, Shu, Tefnut, Geb, Nut, Osiris, Isis, Nepthys and Set. The offspring of these deities included well-known figures such as Horus and Anubis. In addition, other companies of gods were recognized, notably at Memphis and Hermopolis, where there were important and very ancient cults dedicated to Ptah and to Thoth.1 These First Time deities were all in one sense or another gods of creation who had given shape to chaos through their divine will. Out of that chaos they formed and populated the sacred land of Egypt,2 wherein, for many thousands of years, they ruled among men as divine pharaohs.3
THE SIRIUS MYSTERY
Robert K.G.Temple 1976
Page 82
The Sacred Fifty
" We must return to the treatise 'The Virgin of the World'. This treatise is quite explicit in saying that Isis and Osiris were sent to help the Earth by giving primitive mankind the arts of civilization:
And Horus thereon said:
'How was it, mother, then, that Earth received God's Efflux?' And Isis said:
'I may not tell the story of (this) birth; for it is not permitted to describe the origin of thy descent, O Horus (son) of mighty power, lest afterwards the way-of-birth of the immortal gods should be known unto men - except so far that God the Monarch, the universal Orderer and Architect, sent for a little while thy mighty sire Osiris, and the mightiest goddess Isis, that they might help the world, for all things needed them.
'Tis they who filled life full of life. 'Tis they who caused the savagery of mutual slaughtering of men to cease. 'Tis they who hallowed precincts to the Gods their ancestors and spots for holy rites. 'Tis they who gave to men laws, food and shelter.'
"Page 73
A Fairy Tale
'I INVOKE THEE, LADY ISIS, WITH WHOM THE GOOD DAIMON DOTH UNITE,
HE WHO IS LORD IN THE PERFECT BLACK.'
9 |
|
61 |
34 |
|
6 |
|
62 |
26 |
|
5 |
|
60 |
24 |
|
|
First Total |
|
|
|
2+0 |
Add to Reduce |
1+8+3 |
8+4 |
2+1 |
|
Second Total |
|
|
|
- |
Reduce to Deduce |
1+2 |
1+2 |
- |
|
Essence of Number |
|
|
|
5 |
FIRST |
72 |
27 |
9 |
7 |
CONTACT |
76 |
22 |
4 |
11 |
|
102 |
48 |
|
2 |
|
21 |
12 |
|
10 |
|
121 |
58 |
|
10 |
|
102 |
57 |
|
10 |
|
117 |
45 |
|
9 |
|
113 |
50 |
|
3 |
|
33 |
15 |
|
9 |
|
95 |
41 |
|
2 |
|
21 |
12 |
|
16 |
|
213 |
78 |
|
12 |
|
115 |
61 |
|
|
First Total |
|
|
|
9+4 |
Add to Reduce |
1+0+5+3 |
4+7+7 |
5+4 |
|
Second Total |
|
|
|
1+3 |
Reduce to Deduce |
- |
1+8 |
- |
|
Essence of Number |
|
|
|
FINGERPRINTS
OF
THE
GODS
Graham Hancock
1995
Page 411(number omitted)
GODS OF THE FIRST TIME
"According to Heliopolitan theology, the nine original gods who appeared in Egypt in the First Time were Ra, Shu, Tefnut, Geb, Nut, Osiris, Isis, Nepthys and Set. The offspring of these deities included well-known figures such as Horus and Anubis. In addition, other companies of gods were recognized, notably at Memphis and Hermopolis, where there were important and very ancient cults dedicated to Ptah and to Thoth.1 These First Time deities were all in one sense or another gods of creation who had given shape to chaos through their divine will. Out of that chaos they formed and populated the sacred land of Egypt,2 wherein, for many thousands of years, they ruled among men as divine pharaohs.3
KEEPER OF GENESIS
A
QUEST
FOR THE HIDDEN LEGACY OF MANKIND
Robert Bauval Graham Hancock
1996
Return to the Beginning
Page 283
'I stand before the masters who witnessed the genesis, who were the authors of their own forms, who walked the dark, circuitous passages of their own becoming. . .
I stand before the masters who witnessed the transformation of the body of a man into the body in spirit, who were witnesses to resurrection when the corpse of Osiris entered the mountain and the soul of Osiris walked out shining. . . when he came forth from death, a shining thing, his face white with heat. . .
I stand before the masters who know the histories of the dead, who decide which tales to hear again, who judge the books of lives as either fun or empty, who are themselves authors of truth. And they are Isis and Osiris, the divine intelligences. And when the story is written and the end is good and the soul of a man is perfected, with a shout they lift him into heaven. . .'
Ancient Egyptian Book of the Dead (Norrnandi Ellis translation)
PLUTARCH
Plutarch; "On Isis and Osiris (De Iside et Osiride)" transl. by Frank Cole Babbitt, in Plutarch's Moralia, Vol. V, Loeb Classical Library, Harvard University
Plutarch; "On Isis and Osiris (De Iside et Osiride)
1 Wormwood in the Bible; 2 Interpretations of Revelation 8:11 ... A number of Bible scholars consider the term Wormwood to be a purely symbolic ... en.wikipedia.org/wiki/Wormwood_(star)
Wormwood (star) From Wikipedia, the free encyclopedia Jump to: navigation, search
Wormwood, αψινθιον (apsinthion) in Greek, is a star, or angel,[1] that appears in the Biblical New Testament Book of Revelation.
[edit] Wormwood in the Bible although the word Wormwood appears several times in the Old Testament, translated from the Hebrew term לענה (la'anah), e.g., Deuteronomy 29:18 and Jeremiah 9:15, its only clear reference as a named entity occurs in the New Testament book of Revelation: "And the third angel sounded, and there fell a great star from heaven, burning as it were a lamp, and it fell upon the third part of the rivers, and upon the fountains of waters; And the name of the star is called Wormwood: and the third part of the waters became wormwood; and many men died of the waters, because they were made bitter." (Revelation 8:10, 11 - KJB).
Certain commentators have held that this "great star" represents one of several important figures in political or ecclesiastical history,[2] while other Bible dictionaries and commentaries view the term as a reference to a celestial being.
A Dictionary of The Holy Bible states, "the star called Wormwood seems to denote a mighty prince, or power of the air, the instrument, in its fall, of sore judgments on large numbers of the wicked."[3] Scofield Reference Notes draws a link between the term in Revelation and Isaiah 14:12,[4] which reads, "How you have fallen from heaven,O Lucifer , son of the morning! You have been cast down to the earth, you who once laid low the nations!" (King James Bible) KJB
HOW YOU HAVE FALLEN FROM EVEN O LUCIFER BRIGHT SON OF THE MORNING
THE DIVINE COMEDY
OF
DANTE ALIGHIERI (1265-1321)
THE FLORENTINE
CANTICA I
HELL
(L'INFERNO)
INTRODUCTION
Page 9
"Midway this way of life we're bound upon
I woke to find myself in a dark wood,
Where the right road was wholly lost and gone."
M |
= |
4 |
- |
6 |
MIDWAY |
75 |
30 |
3 |
T |
= |
2 |
- |
4 |
THIS |
56 |
20 |
2 |
W |
= |
5 |
- |
3 |
WAY |
49 |
13 |
4 |
O |
= |
6 |
- |
2 |
OF |
21 |
12 |
3 |
L |
= |
3 |
- |
4 |
LIFE |
32 |
23 |
5 |
W |
= |
5 |
- |
4 |
WE'RE |
51 |
24 |
6 |
B |
= |
2 |
- |
5 |
BOUND |
56 |
20 |
2 |
U |
= |
3 |
- |
4 |
UPON |
66 |
21 |
3 |
- |
- |
30 |
- |
32 |
- |
406 |
163 |
28 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
I |
= |
9 |
- |
1 |
I |
9 |
9 |
9 |
W |
= |
5 |
- |
4 |
WOKE |
54 |
18 |
9 |
T |
= |
2 |
- |
2 |
TO |
35 |
8 |
8 |
F |
= |
6 |
- |
4 |
FIND |
33 |
24 |
6 |
M |
= |
4 |
- |
6 |
MYSELF |
80 |
26 |
8 |
I |
= |
9 |
- |
2 |
IN |
23 |
14 |
5 |
A |
= |
1 |
- |
1 |
A |
1 |
1 |
1 |
D |
= |
4 |
- |
4 |
DARK |
34 |
16 |
7 |
W |
= |
5 |
- |
4 |
WOOD |
57 |
21 |
3 |
- |
- |
45 |
- |
28 |
- |
326 |
137 |
56 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
W |
= |
5 |
- |
5 |
WHERE |
59 |
32 |
5 |
T |
= |
2 |
- |
3 |
THE |
33 |
15 |
6 |
R |
= |
9 |
- |
5 |
RIGHT |
62 |
35 |
8 |
R |
= |
9 |
- |
4 |
ROAD |
38 |
20 |
2 |
W |
= |
5 |
- |
3 |
WAS |
43 |
7 |
7 |
W |
= |
5 |
- |
6 |
WHOLLY |
95 |
32 |
5 |
L |
= |
3 |
- |
4 |
LOST |
66 |
12 |
3 |
A |
= |
1 |
- |
3 |
AND |
19 |
10 |
1 |
G |
= |
7 |
- |
4 |
GONE |
41 |
23 |
5 |
- |
- |
46 |
- |
37 |
- |
456 |
186 |
42 |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
- |
121 |
- |
97 |
First Total |
|
|
|
- |
- |
1+2+1 |
- |
9+7 |
Add to Reduce |
1+1+8+8 |
4+8+6 |
1+2+6 |
Q |
- |
4 |
|
16 |
Second Total |
|
|
|
- |
- |
- |
|
1+6 |
Reduce to Deduce |
1+8 |
1+8 |
- |
- |
- |
4 |
- |
|
Essence of Number |
|
|
9 |
THE DIVINE COMEDY
OF
DANTE ALIGHIERI (1265-1321)
THE FLORENTINE
CANTICA I
HELL
(L'INFERNO)
INTRODUCTION
Page 9
"Power failed high fantasy here; yet, swift to move
Even as a wheel moves equal, free from jars,
Already my heart and will were wheeled by love,
The Love that moves the sun and other stars."
I
THAT THAT THAT
I
AM
COMPLETES HIS JOURNEY
THE NEW VIEW OVER ATLANTIS
J Michell 1969
Page 151
"That this small gold pyramidion was an integral part of the Pyramid's design is evident from the figures. Without it the dimensions are not quite complete, for if it were removed, the area of the Pyramid's side would be 99999.99 square cubits only. With the 5 cubic inches of gold pyramidion in place, the figure of 100,000 square cubits represents the total area."
THAT THIS SMALL GOLD PYRAMIDIONWAS AN INTEGRAL PART OF THE PYRAMID'S DESIGN IS EVIDENT FROM THE FIGURES. WITHOUT IT THE DIMENSIONS ARE NOT QUITE COMPLETE, FOR IF IT WERE REMOVED, THE AREA OF THE PYRAMID'S SIDE WOULD BE
99999.99
LOOKING FOR THE ALIENS
A PSYCHOLOGICAL, SCIENTIFIC AND IMAGINATIVE INVESTIGATION
Peter Hough & Jenny Randles 1991
12
Page 98
Somewhere over the Interstellar Rainbow
"In 1985, Glasgow University astronomer Professor Archie Roy was in buoyant mood. He told a journalist from the London Observer that, with new efforts to search the universe for intelligent signals, 'we can expect to make contact very quickly, probably within a decade.' He added that he thought civilizations were 'ten a penny' in the cosmos.
A year later, in an interview with Paul Whitehead in Flying Saucer Review (volume 31, number 3,1986) Professor Roy confirmed this view by saying, 'if we are the product of natural evolution, it is highly improbable that we are alone in the universe.' Presumably this leaves the door open just in case we are not solely the product of natural processes (as scientists understandably assume), but are also the creation of a mystic force, otherwise known as God.
Roy actively pursues his broad1y based interest in this search. He subsequently became associated with Flying Saucer Review, and he has also become an active researcher and spokesperson in the heated debate over the potential 'alien' messages said by some to lie behind those crop circles recently found dotting the rural landscapes of our world.
However, the astronomer's seemingly reasonable hopes are, as yet, a long way from being fulfilled. Contact is proving unexpectedly elusive, which has led to some quite contradictory statements.
For instance, in 1981 Michael Papagiannis, of the astronomy department at Boston University, said that:
The euphoric optimism of the 'sixties and early 'seventies that communication with extraterrestrial civilizations seemed quite possible is being slowly replaced in the last couple of years by a pessimistic acceptance that we might be the only technological civilization in the entire galaxy.
(Royal Astronomical Society journal, volume 19, pp.277-281)
One can hardly find more polarized opinions than these, and they represent a crucial debate that increasingly dominates the field. While there seems to be a gut reaction based on deductive logic shared by most scientists, implying that life should be 'out there' in great abundance, there is mounting concern at our continued failure to find it.
Long before we understood the universe in any detail, we dreamt about this quest for alien life, and, as we have seen, still speculate on /Page 99 / what forms such beings might take. When science fiction became popular during the last century, we even began to wonder how we might establish contact.
Early ideas were ingenious, but impractical: such as building a giant mirror and using sunlight to send Morse-code signals to the (then still plausible) inhabitants of the moon or Mars. Of course, the limitations of physics meant that this could never work, even if there were Martians to see the signals. Only the brightest light that we can produce (a nuclear explosion) is potentially visible from another world and this lasts such a brief time that it is hardly likely to produce incontrovertible proof of life on earth. Alien scientists would dismiss any sightings just as freely as ours now reject claims about UFO appearances.
Another problem concerned the code to be used. How could the Martians have recognized the message, even if they had been able to see it? To them it would have been a meaningless series of flashes. How would they have unravelled any meaning behind it?
This problem exists even if it is assumed (as it nearly always was back then) that Martians, although probably looking like bug-eyed monsters, would still think like human beings. The truth is surely that aliens would be alien in every way and their thought processes would not work in the same manner as ours. That said, the chances of any message from us to them being remotely comprehensible appear to be feeble.
In science-fiction stories and films, such a problem is largely ignored, but that is merely an expediency to help the plot along. We suspend scientific logic to accommodate the story line. However, in any real search for life in the universe, we cannot afford to ignore such scientific reasoning. This complicates matters so much that one or two researchers even think it is a forlorn task. We will never communicate with an alien intelligence, even if we do come across one by chance. The result will be like a farmer staring at a cow and attempting to convey, by spoken language or gesture, why it has to go peacefully to the slaughterhouse.
These problems receive too little attention, even today. Our ability to humanize the aliens is an extreme failure on our part, which academics refer to as 'anthropomorphism'
Page 99
"The result will be like a farmer staring at a cow and attempting to convey, by spoken language or gesture, why it has to go peacefully to the slaughterhouse".
MAN AND THE STARS
CONTACT AND COMMUNICATION WITH OTHER INTELLIGENCE
Duncan Lunan 1974
a liberating adventure for mankind or a disaster
Page 219
Planetary contact 3(c) - intelligence unrecognizable by physical form.
"There is a fantasy story about a university professor mysteriously translated into the body of a bull. After great efforts to communicate he finally gets the opportunity to write a message in the bloody sand of the slaughterhouse.. Unforunately, the man with the gun is illiterate - "another of those steers that do a crazy kind of dance." To get at case 3(c), we have to magnify that problem into an alien mind in a non-human body; could there be intelligences like Arthur C. Clarke's Atheleni,12 unable to develop technology until they meet a race gifted with hands?
MAN AND THE STARS
CONTACT AND COMMUNICATION WITH OTHER INTELLIGENCE
Duncan Lunan 1974
Page 219
"There is a fantasy story about a university professor mysteriously translated into the body of a bull. After great efforts to communicate he finally gets the opportunity to write a message in the bloody sand of the slaughterhouse.. Unforunately, the man with the gun is illiterate - "another of those steers that do a crazy kind of dance."
"The result will be like a farmer staring at a cow and attempting to convey, by spoken language or gesture, why it has to go peacefully to the slaughterhouse"
Page 99.
Peter Hough & Jenny Randles 1991
A PSYCHOLOGICAL, SCIENTIFIC AND IMAGINATIVE INVESTIGATION
LOOKING FOR THE ALIENS
THE
SAPTARSHI
A PAST RISH RISH PAST A
SAPTARSHI
A STAR SHIP STAR A
SAPTARSHI
A LINE ALIEN NILE A
THAT THAT THAT
ISISIS
HUMAN
INTELLIGENCE
TERRESTRIAL EXTRA TERRESTRIAL
THAT MAN THAT
COMPLETES HIS JOURNEY
I ME EGO GODS I GODS EGO ME I
COMPLETES HIS JOURNEY
THAT MAN THAT
TERRESTRIAL EXTRA TERRESTRIAL
INTELLIGENCE
HUMAN
ISISIS OSIRIS HORUS IS IS HORUS OSIRIS ISISIS
CREATORS R THAT THAT THAT R CREATORS
ISISIS OSIRIS HORUS IS IS HORUS OSIRIS ISISIS
R GODS LIVING THOUGHT LIVING GODS R
O
GOD DO GOOD GO GOD
O
GOD GO GOOD
GODS OF GOOD OF GOOD OF GODS
GODDESSES OF GOODNESS OF GOODNESS GODDESSES
GO DO GOOD GOD GOOD DO GO
O
DO GO GOOD GOD GOOD GO DO